Ask the Architect

The New Wentworth Studio Blog

2011-04-20T15:06:00.003-04:00

We are pleased to announce that Wentworth Studio is now blogging here on our newly designed website. Visit the Wentworth Studio blog to read about Wentworth Studio news, awards announcements, and recent projects. We also invite you to take a look around our redesigned portfolio gallery, where you can view examples of recent Washington, DC area home remodeling projects.

Vote for Wentworth, Inc. in the d5R's Kitchens: Transformed Contest!

2011-03-01T16:56:00.000-05:00

Chevy Chase, MD Kitchen Transformation

The d5R recently featured our 2010 NARI Metro DC Chapter CotY award-winning kitchen in their Kitchens: Transformed contest. Voting is now open and only requires a few seconds of your time. Check out the project here and see why one commenter said it's "truly an example of out of the box thinking". Voting is open until 5
PM Monday, March 7. Thanks!

A Wentworth, Inc. Kitchen Remodel in Today's Daily 5 Remodel!

2011-02-18T08:58:00.004-05:00

Here at Wentworth, Inc. we were excited to see one of our recent kitchen remodel projects featured in today's Daily5 Remodel! This Chevy Chase, MD kitchen remodel is also a 2010 National Association of the Remodeling Industry Metro DC Chapter CotY winner. Check out the great feature here.

Wentworth, Inc. in the News: A Small-Scale Estate in McLean, VA

2011-02-14T15:56:00.000-05:00

December 2010, Viva Tysons

Wentworth, Inc. transformed a 3-bedroom, 2-1/2 bath brick rambler in Mclean, VA into a stunning neo-craftsman style contemporary with outbuildings. The owners, who, according to Bruce Wentworth, AIA, "were looking for a wholesale makeover of the entire property - one with clearly differentiated architecture," got exactly what they desired - and then some. Their property is now a small-scale estate that is evidence of the importance of a good marriage between form and function. For more on this project, check out John Byrd's story, "Neo-Craftsman Style Architecture Transforms McLean Rambler Into Distinctive, Small-Scale Estate," in the December 2010 issue of Viva Tysons.

Before and After: A Dramatic Transformation

Wentworth, Inc. Wins Two 2010 NARI Capital CotY Awards!

2011-02-11T09:19:00.000-05:00

On January 29th at the Westin Alexandria in Alexandria, Virginia, the National Assocation of the Remodeling Industry (NARI) Metro DC Chapter awarded Wentworth, Inc. two awards: the 2010 Capital CotY Grand Prize in Residential Exteriors and the 2010 Capital CotY Finalist Prize in Residential Interiors.

Wentworth, Inc.'s Steven Barnard,
Accepts the Capital CotY Grand Prize Award

Wentworth, Inc.'s President, Bruce Wentworth, AIA, and Production Manager, Steven Barnard, were in attendance to accept the awards. "The Capital CotY Awards are the highest honor in the remodeling industry," said Bruce Wentworth. "Wentworth, Inc. is thrilled to be among the winners of the 2010 Capital CotY Awards."

The 2010 Capital CotY Grand Prize in Residential Exteriors went to a spectacular remodel of a 1960s home in Silver Spring, MD. The finished project is a stunning transformation of the home's front facade, resulting in a home that is sophisticated and modern.

2010 Captial CotY Grand Prize Winner, Residential Exteriors

The 2010 Capital CotY Finalist Prize in the high competitive Residential Interiors Category was awarded to Wentworth, Inc. for a dramatic reconfiguration of interior space. A 1980s Chevy Chase, MD home featuring an outdated and compartmentalized floor plan was given new life in this remodel of a kitchen, adjoining breakfast space, family room, and laundry room.

2010 Capital CotY Finalist, Residential Interiors

Award-winners spanned over 30 categories ranging from "Best Green Home Construction to Best Bathrooms under $30,000." Eighteen Maryland companies took home 30 CotY awards, and Wentworth, Inc. is honored to be included in a group as talented as the firms belonging to the NARI Metro DC Chapter.

For more information about the winning projects or to discuss a future home remodeling project, contact us via email at bwentworth@wentworthstudio.com or via phone 240-395-0705 Ext. 100. For more information on NARI and NARI members, please visit http://www.narimetrodc.org/.

About NARI Metro DC: This Metro DC Chapter of the National Assocation of the Remodeling Industry (NARI) is comprised of 500 remodeling companies. Membership in this organization ensures that member companies adhere to a strict code of ethics and professionalism. Membership is comprised of full-service contractors, design-build firms, manufacturers, suppliers, distributors, subcontractors, and other profressionals who work in the remodeling industry.

Doing More with Less: A Townhouse Kitchen Remodel

2011-01-31T16:40:00.025-05:00

Space Sacrificed:
An Unused Porch Before

A tiny and dark galley kitchen in an urban townhouse usually equals a variety of daily frustrations: cramped cooking space, difficulty entertaining guests while slicing and dicing, and the cliched, yet extremely common too-many-cooks-in-the-kitchen issue, among many others. Often the only solution is a smart and carefully executed remodel. That's where Wentworth came in.

Space Gained: Sunny
Kitchen Addition After

When a couple downsized from a suburban home to a 1920s historic townhouse, the tiny kitchen had to fit their lifestyle. Working within the confines of a small space has its limitations, but our clients were willing to sacrifice their back porch for additional kitchen space. This sacrifice paid off: a sunny breakfast nook with a view of the garden now sits where the porch used to be. The space is cozy, warm (thanks in large part to the kitchen's energy-efficient radiant heated floors) and sure to be enjoyed year round.

Let the Sun Shine:
The Finished Kitchen

Innovative design features maximize space elsewhere in the kitchen - from cabinets with roll-out shelving to turning unused space under a stair into a pantry. These features and the resulting open-plan kitchen fit the client's informal lifestyle, proving that you never have to sacrifice style for function or space. For more on this project, visit the Hill Rag's January Home & Gardens Feature, Making the Most of Townhouse Kitchen.

The Stroke of a Feather: How Inspiration Meets Design for Wentworth’s Interior Designer Christopher Patrick, ASID

2011-01-28T12:23:00.006-05:00

Christopher Patrick, ASID

Wentworth, Inc.’s interior designer, Christopher Patrick, ASID, knew from an early age he’d be painting clients’ rooms in bright and bold colors with successful results. At the age of 10, when most parents are fretting about dirty handprints on walls and muddy footprints on freshly cleaned rugs, his parents already trusted him to paint his bedroom. It wasn’t long before he’d moved onto bigger, more important rooms.

Fortunately for Wentworth, Inc.'s clients, Christopher is involved in more than just paint choices. Because Wentworth, Inc. is uniquely able to offer architecture, interiors, and construction under one roof, Christopher’s aesthetic as a designer, which he defines as clean and streamlined, informs all aspects of a client’s home remodel.

The Stroke of a Feather

Christopher says his design sense, a mix of the old and new, is often inspired by nature. A recent remodel of a client’s study/home office was transformed with the stroke of a peacock feather. Actually, says Christopher, the peacock feather was more of an inspiration, a way to convince a client who wasn’t afraid of color to paint her new study/home office bright teal and an adjacent bedroom pale olive. “This certainly wasn’t your traditional color pairing, but I convinced her through a series of images showing how pale green and teal make an excellent, albeit nontraditional, color combination.”

Christopher has a knack for working with Wentworth clients to make sure their vision is carried out, while simultaneously guiding them through the many nitty-gritty product and finish choices that come with a remodel. Even though clients often come to Christopher with an idea – pictures, samples, advertisements – of what they’d like their room to look like, Christopher works with them to find their way through a world of endless options.

Looking a Little Green

As an interior designer, it’s Christopher’s job to keep abreast of the trends, from the newest in green innovations to the hottest paint colors. A recent kitchen remodel offered just the opportunity to utilize the latest green building products, and Christopher was more than happy to help the client navigate through the growing pool of eco-friendly building products. When the client decided on an Oceanside Glass backsplash comprised of a combination of pre-consumer, post-industrial, and post-consumer recycled material, Christopher suggested they also consider using Icestone for their island countertop. Made of recycled glass and concrete, Icestone is as beautiful as it is eco-friendly. Although the client was originally concerned with the durability and cost of a green product, Christopher knew it was the right choice. And it was. The client was thrilled with the finished look.

And that, Christopher says, is what it’s all about at Wentworth: “A client will usually tell you what they want, the givens - bed in the bedroom and table in the dining room - but how we style it and bring it all together, it’s a collaboration between us and the client. We take a vision and make it happen.”

Employee Profile: Gyan Manu, Associate AIA

2010-11-03T15:54:00.010-04:00

By Daniel Dahlman

Gyan Manu is part of the team of architects and designers at Wentworth, Inc. and manages client projects through all stages; from initial conceptual sketches, to design development, and construction documents. At each step of the way, Gyan is there to ensure that every project meets Wentworth’s standards for quality, beauty, and attention to detail.

Gyan is involved with a client’s remodeling project from day one. A client will often discuss particular design issues they have with their home. In the early stages of a project the team measures and photographs the house to prepare “as-built plans”. When the as-built plans are ready the design team can commence the design phase, and Gyan, head architect Bruce Wentworth, AIA, and interior designer Chris Patrick, all sit down for a design meeting, or charrete, and develop three or four design solutions for each project.

The design process is one of Gyan’s favorite phases of a remodel.

“No two projects are alike,” says Gyan. “Each project involves learning as much as possible about the way clients live, and then designing creative solutions to make their homes more comfortable. Every single project has different challenges and it excites my intellect to find new solutions to these problems.”

Part of what makes the design through construction process so smooth and enjoyable is that Wentworth, Inc. is a design-build firm. Wentworth offers a unique service in that architecture, interior design, and construction professionals are collaborating together, in-house, toward a shared and clearly articulated design vision and budget.

“The fact that Wentworth provides design-build services is an important benefit,” says Gyan. “Traditionally, your architect, interior designer, and contractors are all separate, which can cause a lot of problems due to finger pointing and communication issues.”

Horror stories of projects that are delayed for weeks, or even months, due to poor planning and coordination among different contractors, architects, and designers are familiar to most clients. Gyan emphasizes the fact that, “the Wentworth design-build process brings all these professionals together, making it easier for everyone. Since we are skilled at managing the entire process, the remodel becomes hassle-free for the homeowner.”

Gyan, who grew up Ghana, has been interested in building and design from an early age. Although he was initially drawn to the idea of constructing ships and pursuing a career as a nautical engineer, Gyan’s father was a contractor in Ghana and he grew up surrounded by builders, craftsmen, and architects. A skilled illustrator, Gyan was attracted to the detailed design and construction documents his father used to build projects of varying sizes and dimensions.

Project Sketch

By the time he was 14 years old, Gyan knew he wanted to pursue architecture and found a mentor in an architect friend of his father’s named Mr. Taylor. After receiving his architecture degree from the prestigious Kwame Nkrumah University of Science and Technology in Kumasi, Ghana, he had the opportunity to work with his father on the construction side of the industry. The invaluable knowledge Gyan gained from his father still guides his design process today.

“Knowing how things are on the construction side influences the design decisions you make,” says Gyan. “When you are engaged in the design process, there is always the back and forth question of ‘Can this be built?’ Having been part of the construction process certainly helps with that mode of thinking.”

Final Result

Gyan’s extensive background-which includes working both in Ghana and the U.S. and designing both residential and commercial projects, gives him a wide breadth of experience and skills to draw from. Throughout all his experience, residential remodeling remains his true passion.

“I’ve done both commercial and residential work, but one of the reasons I prefer residential is the emotional involvement,” says Gyan. “Nothing is more beautiful than being part of a process that ultimately improves the quality of life for a family or individual.”

Gyan has been with the firm for nearly three years and his commitment to high quality, beautiful design is evident in every project he is a part of. “What we do here happens on a very personal level,” he says. “ We are on a first name basis with all our clients, we gather information on all the minute details of how clients live, and provide solutions based on that in-depth understanding- all of these things I find exciting and very satisfying.”

Gyan loves what he does, and has a great time doing it—the goal of every professional.

If These Walls Could Talk: A Recently Completed Remodel

2010-10-27T15:04:00.008-04:00

By Bruce Wentworth, AIA

When meeting with new and potential clients, I’m often asked about past remodeling projects, recent design challenges, and the Wentworth process of remodeling a home. I thought a blog would be a great place to walk readers through a project from start to finish and shine some light on the detail, craftsmanship, and creativity involved in a Wentworth remodel.

A Home Office and Row House:

Recently, the Wentworth team completed a sophisticated home office remodel in a charming neighborhood of Northwest DC. Every adult needs a home office; a place to work on a computer, pay bills, do a craft project, and perhaps find a little solitude. Our client, Karin Lohman, a scientist with N.I.H., wanted to remodel her circa 1923 row house to add a home office that included an area for a variety of projects. Like many row houses, the master bedroom was created by enclosing a sleeping porch, and was linked to another bedroom for more space. The bedroom was sunny with a wall of windows overlooking the garden, but the adjoining internal room was dark and windowless—a common problem in a row house.

Before

After living in her home for seven years, she felt the windowless area of her master bedroom, with its limited storage, had deteriorated into a junk room, “a dark, messy cave” that she passed through to reach her bedroom. She had hoped to make improvements herself by adding bookcases and painting, but a busy work schedule, and a serious illness, prevented her from getting to it. While recuperating she decided it was time to invest in a home office with a project space that she could love and enjoy. She was tired of using her dining room table for projects. This is when she sought the Wentworth team of remodeling professionals to help her design and build it.

The first problem we needed to solve was getting more natural light into the interior space. This was accomplished with a new skylight and a new ceiling that sloped gently up to the skylight. The existing ceiling was cut out and reframed with a slope that increased the ceiling height by about 12” and admits more sun light because of its minimal skylight well. The office is now a bright transition from the second floor hall to the rear master bedroom.

After, Office Overview

The room had a large boxed-out chimney flue from a fireplace on the first floor. The flue divided the wall in half where we planned to build the new bookcase. The design called for concealing the flue within paneling, embellished with a wall sconce, and flanked by bookcases. Closed storage in the bottom of the built-in, and adjustable shelving above provides ample storage. Even the narrow columnar ends of the bookcase provide extra shelves to maximize storage. At the desk area a cork board was integrated and plenty of electrical outlets were provided. Crown molding, applied panel molding, and painted woodwork finish the custom details.

After, Desk Area

The former bulky old radiator was removed and a thin German designed, Runtal radiator unit was installed opposite the bookcase. An unnecessary second closet door was closed with drywall to free up wall space. Teal walls and white trim provide ample paint color contrast to the formerly dark space.

We even took care of an heirloom table built by the Ms. Lohman’s grandfather that she wanted to use for craft projects. A walnut table with turned walnut legs on casters had a worn out top and one of our exceptional carpenters fabricated a new walnut table top. Now it can be rolled out when needed for a project.

The client herself says it best when describing the project:

“My room has been transformed from an office/junk room to a gorgeous office with lots of light and plenty of storage space plus a project area (as in Martha Stewart crafty projects).”

Radiant Heat: A Supplementary Heating Option On the Rise

2010-10-18T09:21:00.018-04:00

By Daniel Dahlman

Now that the heat and humidity of summer have given way to crisp fall air and cool temperatures, we are all reminded that winter is just around the corner. Homeowners are in the midst of transitioning from the summer preoccupation of how to get the most out of their cooling systems, to the winter concern of how to best keep their homes warm and inviting during the holiday season.

The topic of radiant heat floors is becoming an increasingly popular topic among our clients. As heated floor technology becomes more advanced and affordable, more homeowners are turning to radiant heat flooring systems to meet their supplementary heating needs. Not too long ago, heated flooring was a luxury only a few could afford. Today, most radiant heating floor systems are energy efficient, operate on just pennies a day, and with no moving parts or filters to change, require very little maintenance.

Client enjoying her new radiant heat floor

Underfloor radiant heat is an ideal supplementary heating option because heat is supplied directly to the floor and travels to the ceiling, evenly heating the entire room and eliminating air drafts and heat loss in the process. Radiant heating works like an electric blanket, a thin matt made of tough fiberglass mesh is installed on an insulated floor (above a sturdy floor base) and connects to a programmable thermostat mounted on a wall. In most cases, radiant heat can be installed in less than a day. The systems are easy to use (most have a low, medium, high settings), reach operating temperature in 20 minutes, and save energy by giving you the option of heating only the rooms you need, when you need them. Unlike bulky radiators, radiant heat is quiet, clean, and doesn’t take up any wall or floor space. The system is compatible with all flooring surfaces, from wood to tile to stone, and is most popularly used in kitchens and bathrooms.

Fiberglass matt installation

We recently installed a Warmly Yours heating system for a remodeling project in an historic district in Northwest DC .The homeowners were tired of their cramped galley kitchen and wanted to increase their kitchen space to more comfortably cook and entertain. To give the clients the space they needed without changing too much of the property’s historical structure, a protruding rear addition was added to the kitchen. Given that an extension leaves more walls exposed to the elements, and that there was no heated space underneath the new addition, a radiant floor heating system was the perfect solution to ensure that the larger kitchen stays warm and inviting throughout the frigid winter season.

Clean, quiet, and efficient, underfloor radiant heating will be a continuing trend this winter season and beyond.

Rear kitchen addition

Photographing Our Projects: A Recent Experience

2010-10-04T14:50:00.011-04:00

By Chris Patrick, Allied Member ASID

As construction begins to wind down, the punch-list is reviewed and the finishing touches are added to a kitchen renovation in Chevy Chase, MD. It’s time for Wentworth, Inc to start planning to transform the space one last time. The homeowner may have moved in, and the construction may have wrapped up, but the work isn’t done. It’s time to photograph and document the completed project for our portfolio and publication.

The Benefit of Photo Shoots

At Wentworth, Inc we take pride in our projects at every step of the way; from the time it’s in the design studio to the last finishing touches by our lead carpenters. Each project challenges our design team to be more creative, and give our carpenters a chance for their skills to shine through. It’s because we are so invested and proud of our projects that we want to photograph each one. We aren’t just concerned about the projects that cost the most money, or used the best appliances, or had the best before and after shots. We want to show off our work; all of it, and give potential clients the ability to understand the amount of craftsmanship and detail that goes into each project.

Our pride and love for the projects we work on takes a backseat to the homeowner’s pride of living in, and helping design, a home that is award worthy. The photographs we take help facilitate our goal of entering our projects into local and national competitions and publications. With the Contractor of the Year: National Association of the Remodeling Industry Awards deadline around the corner, our marketing team has been busy pulling together our most recent projects to showcase. In many cases, we offer those same project photos up to publications such as The Washington Post, Home and Design, and Remodel (a Better Homes and Gardens Special Interest Publication) for consideration in upcoming articles. The sense of pride our homeowner’s feel when their home wins a national award or is featured in the newest issue of Home and Design is another important benefit of our photo shoots.

It is important to note that the benefit of these photo shoots for the client goes beyond pride. Aside from bragging rights with their friends, professional photos and awards make for great marketing material when a client plans to sell their home. We’ve often had real estate agents use the professional photographs we’ve taken, along with any awards or publications, in the promotional material for a sale. Potential buyers not only get a glimpse into the amazing interior (or exterior) shots of the home, but there is added value with a home that has been published or is award winning.

Choosing a Photographer

When we plan our photo shoots it is imperative that we have the right photographer for the job. For the kitchen remodel in Chevy Chase, we went with Ron Blunt. His experience as a professional photographer and the relationship we have developed with him over the years, make him a perfect candidate for this shoot. We trust his eye and aesthetic and value his skill in beautifully capturing our work. We trust our photographers to produce high quality and high impact photos that best represent the space.

Planning

Whenever possible, we try and photograph our projects shortly after they’ve been completed. We find that it’s less disruptive to our clients; they’re still used to having our team coming in and out of their home. Typically, there is less rearranging involved on our part to achieve the right design aesthetic if the client hasn’t fully moved in (in this case the client also welcomed some of our design ideas for furniture placement). The less time our clients have to live in the space before we photograph it, the less the new finishes are affected, and there is a better chance that everything will comes out looking brand new.

Our planning is not limited to picking the right photographer; the “behind the scenes” preparation starts a few weeks prior. After we’ve chosen which photographer we think would be best suited for the photo shoot, we begin to think about set-up, lighting, and staging. A few weeks before the kitchen remodel photo shoot, we stopped by the job site to take “pre-photo shoot photos.” This allows us to get an idea of what shots we want to accomplish with our photo shoots, what areas need to be stylized, and what existing client owned furniture and accessories we can work with. We print these photos out and look at them with the new floor plan to finalize the number of shots we want and the areas we want to highlight. A full day shoot is anywhere between 5-8 photos. After we reviewed the plans, it was agreed that we would need at least 6 shots to capture the space and highlight all the focal points. We wanted two shots of the kitchen, two shots of the family room, one shot of the laundry/mud room and one shot of the foyer.

Staging/Stylizing

Once we’ve established a direction to help guide the photo shoot, it becomes clear what areas need the most work. Since we wanted to highlight the custom built-ins in the family room of the Chevy Chase kitchen remodel, we needed to make sure that the area was staged well with books and decorative objects. We had decided that this photo shoot was going to have a less is more approach; we wanted less clutter and more pieces that made a statement. This was true in the kitchen as well; we kept the counters free of clutter and opted for a simple arrangement of avocados, dried pasta, oils, and greenery placed strategically around the kitchen.

Shopping

After we’ve established a design direction and made a list of the objects that we needed it’s time to shop! We work with as many of the homeowner’s existing pieces as possible and we often bring in personal items from our own homes as well to stage the photos, but inevitably, we’ll need to shop for more accessories. And when it comes to shopping, more is more! To style a photo shoot correctly you must make sure that you have the right amount of accessories as well as the right pieces. Subtle things such as color, shape and size can all make a difference when one is styling a photo shoot. We have had a few photo shoots where we ran out of accessories and its shows in the finished product. But with the Chevy Chase kitchen remodel we were sure to have enough; two days worth of shopping produce a truck load worth of material to use. Plus, we had the owners existing pieces and other odds and ends brought in by the Wentworth team.

Success!

Despite having the most accessories and areas to style of any photo shoot in Wentworth history, we pulled the Chevy Chase shoot off without a hitch. The pre-planning helped us stay organized and focused. Once we arrived at the jobsite with a truck load of props (including a working under counter refrigerator), our group of 5 Wentworth team members unloaded the truck and began to prep the site. The first thing we always do once we get to the house, is take quick photos of the areas we are going to alter so we can be sure we return everything to its original place at the end of the day. We began cleaning and staging at 8AM, by 9:30 we had all 6 of our shots ready for the photographer, and the photographer began shooting by 10AM. We worked like a well oiled machine, once one shot was finished, we packed up all the borrowed accessories, put that section of the home back in order, and moved on to the next shot.

In the span of 11 hours, we had managed to get 8 shots, pack up all bought or borrowed accessories, and return the client’s house to its original condition. It was an exhausting day, but we never lost sight of the fact that photo shoots are valuable to everyone involved: from the homeowner, to the contractor and photographer. I’m proud to say that the photo shoot was a complete success and that we plan on winning awards with this amazing project

Kitchens for Friends

2010-07-07T11:06:00.011-04:00

By Bruce Wentworth, AIA

One of the pleasures of being a residential architect is helping friends with their home remodeling projects. Occasionally good friends will ask for advice and I am always happy to give my opinion. Recently, friends from Richmond, Virginia, Judy and Nelson, asked me to advise them on their kitchen remodeling project. They have owned their house for more than 20 years, a true center-hall Colonial, “but its old kitchen was a pasted-together mixture of old and new that no longer met their needs.”

A year earlier I had recommended changing their kitchen layout by closing the existing door opening from their center hall and adding two new openings, to maximize floor space, shift circulation into the hall where it belonged, and accommodate a central island. We also discussed closing a redundant door to the exterior to gain valuable wall space for the kitchen. At first Judy and Nelson thought it was a radical change, but after thinking about it, decided to go for it. Judy always says that they never imagined their kitchen with this design and now that it’s done, they cannot imagine their kitchen any other way. My designer-sense took over–and I was eager to show them how it could work. I suggested that I develop design drawings for them.

My wife and I spent a weekend in Richmond visiting, and I camped out in the kitchen with an old-fashioned drawing board. Occupying the space that one is redesigning has a lot of benefits because I could easily verify measurements and visualize changes as I documented it on paper. I remember feeling very productive that weekend; plans were drawn, cabinet elevations established, and a full set of design intent drawings were ready for them to review with a local kitchen cabinet company the following week.

Nelson is an avid gardener and the best garden views are from the kitchen. I wanted to take advantage of the garden view so a small window was replaced with a new 7’ wide window with decorative panes in the top, flanked by casement windows. Its location at the sink and work counter allows them to enjoy the garden’s seasonal displays. Because they had lived in the house for some time they were aware of a James River view they got only in winter when the trees lost their leaves. We were able to capture the river view with a casement window placed over the range; not a typical application – but one that works for them and is accommodated with a downdraft range exhaust. And having windows on two walls of the kitchen provides great cross-ventilation.

Before Plan After Plan

Now when we visit them in Richmond it’s a kick to hang out in the kitchen, sit at the island, have a glass of wine and toast the great new kitchen design. A happy success for all.

Helping Clients Visualize

2010-06-09T10:05:00.022-04:00

As design professionals we often forget that we have developed an ability to visualize the un-built. I have attended design presentation where project architects gloss over the as-built plans (existing condition drawings) for a client's home because the architect/designer assumes the client can visualize it... Most often the client cannot. And, often the architect/designer underestimates the value of their visualization skills.

At Wentworth, Inc. we have helped our clinets visualize, to "see", what we have designed for them. Here are three examples of how we do this for our clients.

3-D Computer Modeling

With the aid of 3-D Computer Modeling our staff create interior and exterior perspectives to help clients understand the design and know how it will look, feel, and perform. We illustrate the three dimensional design on the computer screen or in a printed form for the client to take home. Computer software allows us to move around an imagined interior space and look at it from different perspectives.

Cardboard Study Models

Cardboard scaled study models are a personal favorite of mine. As a kid I built hundreds of cardboard house models for my train set villages and became skilled at it. Now I built them for our clients. I typically use foam core to create the building site with its slopes and contours. I learned that a good scale for a residential study model is for every one foot to equal 1/8". Typically I use water color paper, Elmer's glue, and an X-acto knife to build simple massing models. For a project involving an addition to an existing home - I build the existing house first; the proposed design for the addition are done as plug-and-play components. I have found that this is a good way to help clients visualize how their house will look in terms of the roof lines and forms. A few years ago a study model for a new home in Arlington clinched the design decision with its large sweeping hip roofs and sexy dormers.

Full Scale Mock-Ups
Without a doubt, clients love our full scale mock ups. We love them too, and we have done a variety over the years.

For an Alexandria project involving a fron porch & facade remodel our carpenters created 2' x 2' panels to illustrate three different wood wall cladding treatments. It helped the client to make the right choice for them. A) Narrow strips- for the "country look", B) raised panels with beveled edges- for the highly "formal look", or C) layered recessed panels with molding, and the perfect fit for our client. The client felt it provided the best mix of detail, not too formal and not too rustic.

A project currently under construction in Chevy Chase, Maryland involves a large kitchen and family room remodel. The clients admitted that they had trouble visualizing how it would all come together with a central island and the surrounding cabinetry. Their fears were normal for a homeowner who thought the space might be too tight. To get a comfort level prior to the cabinet mockups from 1/8" hardboard. With a few minor adjustments the client felt comfortable to proceed. The cabinet mock up provided a solid comfort level for the homeowner who had difficulty visualizing the final product.

For more information, or for visualizing your next remodeling project, check out our website, www.wentworthstudio.com

Credentials Matter

2010-06-01T13:30:00.001-04:00

What to look for in your residential Design/Build firm
By Bruce Wentworth, AIA

When I started my firm in 1986 I could never have imagined where business requirements would evolve in 2010. Being licensed as an architect and contractor are important and a company’s credentials matter; probably more now than in 1986. The internet allows emerging businesses to look professional and upscale with a website; but look closely to see if they carry the proper credentials and experience to do the work they purport to do. It’s easy to be fooled by a fancy website. Here are important credentials to look for when selecting a residential remodeling company.

1. Licensed Contractors: Is the firm licensed as a Home improvement Contractor? Are they legally entitled to provide the remodeling service their website promotes? The Washington, DC metro area is more complicated than a single state area; to work in the tri-state area, we need licenses in Maryland, DC, and Virginia. Maryland and Virginia have exams, and all three states have fees and insurance requirements that must be adhered to. Visit the website for your state to determine whether the contractor you are considering is properly licensed.

2. Licensed Architect: There are many firms providing residential design services who are not licensed architects. Some of those designers are good and some are not. Knowing that the remodeling firm you select to do your home remodeling has licensed architects on their staff can make you feel confident that the design will be good and meet code requirements. Because of the complexities of construction some jurisdictions are beginning to require that plans be prepared by a licensed architect. At Wentworth we take pride in seeking design excellence with cost effective solutions. You can visit your state’s website to learn if your designer is a licensed architect. Maryland, Virginia, DC.

3. EPA Certified for Lead Paint Renovation: On April 22, 2010 the United States Environmental Protection Agency implemented new requirements that require representatives from the firm to take a 10 hour course, pass an exam, and become certified in conducting lead-based paint renovation. 40CFR Part 745.89. After a key person with the organization, in our case two, is certified the firm then pays a $300 fee to the EPA and becomes certified. People most at risk for lead poisoning are children under the age of six and pregnant women in homes typically built prior to 1978. Visit the EPA website to see who is certified for this remodeling work in your area.

4. Professional Associations: AIA, NARI, And ASID: If the owners of the company you plan to hire are members of professional associations it’s a good indication of their commitment to their profession. Most associations offer educational opportunities to help their members learn more and expand their skill base. The American Institute of Architects, (AIA) has over 83,000 members nationally and requires that their members study to obtain 18 learning units each year to remain a member of the AIA and up to date with the field. The National Association of Remodeling Industry (NARI) has local chapters that promote education and networking between members. Their annual awards competition (Contractor of the Year or COTY) promotes excellence through their awards locally and nationally. The American Society of Interior Designers also promotes education and professional development. Many states are now requiring that interior designers become licensed professionals to remove the stigma of “interior decorator”.

5. Insurance: Verify that the firm you hire for remodeling is insured with at least $2,000,000 of General Liability coverage. Companies should also carry worker’s compensation and employer’s liability. Request a Certificate of Insurance as evidence of their coverage. Even with the best of intentions and with the most professional firms there is risk. Be insured.

6. Design & Remodeling Experience: Once you have satisfied the basic credentials listed # 1 thru 5 you can start to examine the firms design and remodeling experience. Are they good designers? Do you have rapport with the design team? Will their designs provide good value for a realistic budget? Study their portfolio and speak with past clients. Is their construction team skilled with remodeling? Remodeling is often more complicated than new construction. Are the carpenters skilled and concerned with craftsmanship? Do they plan ahead and schedule the work? Visit a job site and speak with their references.

7. References: References are important. Typically three are provided so that you can call and speak with past clients of the firm. If it is not too much trouble you might ask the firm if you can visit a remodeling job site they are currently working at.

8. Be a good client: Remember that being a good client will help you to get a good remodeling project from the firm you select. Review your drawings thoroughly to know what is included and what is not. Respect the integrity of your written contract and architectural plans. Show up for meetings on time. And if you are happy with the work – refer your friends and colleagues for their remodeling work. It’s simple.

For more information about the well credentialed team at Wentworth Studio, check out www.wentworthstudio.com

A Dedicated Staff of Carpenters

2010-05-05T09:30:00.023-04:00

Education is Important. At Wentworth we encourage staff to attend events where they can learn to be better remodelers for our clients. Our Production Manager, Steven Barnard, is especially keen on these opportunities and for the second year in a row attended the JLC Live Residential Construction Show in Providence, Rhode Island March 20-21, 2010, along with our carpenters Yonal De La Rosa and Tim Haigh.

Organized by the magazine, Journal of Light Construction, the show features useful information about products, tools and techniques. Hands-on building clinics and classroom education round out the hundreds of product display booths. JLCLive prides itself on being the leading construction event serving the residential sector bringing construction professionals face-to-face with manufactures, distributors and service providers while providing education through live, interactive demonstrations, and a comprehensive conference program.

In 2009, while attending the JLCLive show, our production manager discovered a new product, Bison Deck Supports, which provides variable height roof deck supports for pre-made IPE wood decking tiles. Wentworth utilized this product for a remodeling project in Northwest Washington, DC. Sure evidence that the time was well invested.

Dedication to continual improvement and training allow the Wentworth staff to excel in our construction services; A true benefit for our remodeling clients.

To see more of this project visit our website at www.wentworthstudio.com

A Civilized Shopping Center - Chevy Chase Lake

2010-04-19T15:00:00.036-04:00

The offices for Wentworth, Inc. www.wentworthstudio.com are located at the Chevy Chase Lake shopping center at the corner of Manor Road and Connecticut Avenue in Chevy chase, Maryland. Our design sensitive staff appreciates the nice office environment. We like our second floor space with windows on three sides for eastern, southern, and western exposures, and appreciate the natural light and the convenience of the small scale complex.

Our landlord, the Chevy Chase Land Company, takes good care of their investment. The property gets its name from the former man-made Chevy Chase Lake amusement park which was just to the south of the complex. I get a kick knowing that my father visited the amusement park while he was growing up in College Park, Maryland.

Our residential clients even like coming to our offices because of the easy parking on the surface lot and the understated but charming environment. Many of our clients have remarked at the charm of the older brick buildings with the wrought iron canopy supports. The Chevy Chase lake complex was built in the late 1950s or early 1960s and was designed by an architect who was sophisticated with the Colonial Revival style.

The complex consists of two buildings, one larger building for the super market, and a second smaller two-story building, for the retail & office space. Although the shopping center is of modest scale by today’s standards, these buildings feature solid masonry construction, brick arches, crown and dentil details, slate shingles for the roofs and double hung windows for ventilation. All of which provide a quaint human scale.

The architect was thoughtful in his use of protective canopies for rain and sun. Each building has a covered area along its main façade and the two are linked by a free-standing arcade that protects pedestrians from rain, snow and sun. When it rains I can get half way to my car without getting wet. The free standing canopy visually breaks up the parking lot so it does not feel like a hulking asphalt lot. The complex of small brick buildings will eventually be replaced with something larger…but for now we can enjoy what we have.

To learn more about Chevy Chase history visit www.chevychasehistory.org To learn more about Wentworth’s design/build services, visit www.wentworthstudio.com

Prioritizing Your Home Remodeling Projects

2010-04-08T13:52:00.016-04:00

By Bruce Wentworth, AIA

Homeowners are budget conscious when making home remodeling decisions. Wentworth can help you make these often difficult or confusing decisions at an in-home consultation, where priorities, design concepts, and construction issues can be clarified. Budget-minded simply means allocating financial resources in the best possible way. Excellent design solutions, coupled with quality craftsmanship and materials, are still a smart long-term home investment.

A well-located Washington area home remains a solid investment. After three decades in business, I can offer these tips to improve home value.

1. Kitchens: Kitchens more than 25 years old are functionally obsolete and aesthetically outdated. A well-designed kitchen enhances home value and improves family life.

2. Bathrooms: A well-designed master bath is an excellent investment, although cosmetically upgrading older baths will also improve home value.

3. Facades: If your home lacks curb appeal, exterior façade enhancements will add value. A new front door, windows, a front porch, or other architectural embellishments, all sensitive to your home’s architectural style, can be considered.

Thoughtful design analysis of your home makes appropriate, cost-effective remodeling decisions a reality. Call for a consultation today 240-395-0705 x 100.

EPA Sets Lead Paint Safety Requirements For Contractors

2010-04-08T13:33:00.036-04:00

Wentworth, Inc. is now an EPA certified renovator to lead safety for renovation, repair and painting (RRP).

Bruce Wentworth, President and Steven Barnard, Production Manager, have both taken the 8 hour, 8 module course offered by The Training Network and accredited by EPA/HUD. Certification is good for five years at which time a refresher course shall be taken. EPA requirements became effective April, 22, 2010.

Lead paint in the United States was banned in 1978 and homes built prior to that typically used lead paint. Alterations to homes with lead paint are to be handled in approved ways primarily for the safety of children under the age of 6 and pregnant women.

The hazard areas are often: a. peeling and flaking lead paint, b. friction surfaces such as the bottom of a sash window, c. impact surfaces like treads, risers, jambs, and doors. Prior to commencing remodeling the home shall be tested for lead paint by a certified renovator. If lead paint is found in the area to be remodeled there are standard practices for dealing with the removal of materials, and dust with lead paint. To learn more about lead paint issues in your home read the EPA guide called “Renovate Right” available at www.EPA.gov/lead
Bruce Wentworth, AIACertificate Number R-I-18343-10-00591

And the Winners Are...

2010-03-22T09:49:00.037-04:00

The staff at Wentworth loves to win awards for their home remodeling work and be recognized by their peers…so when the National Association of Remodeling Industry (NARI) announced that Wentworth, Inc. (www.wentworthstudio.com) had won four Contractor of the Year awards (COTY) we were all thrilled. The Metro DC Chapter of NARI awarded the Capital Cotys at a black tie event held at the Marriott in Bethesda on January 30, 2010.Wentworth, Inc. was represented at the ceremony by Bruce Wentworth, AIA, President, and Steven Barnard, Director of Construction. Four times they walked up to the podium to receive the award plaques.

Bruce Wentworth, AIA and Steven Barnard

accepting one of the four CotY Awards

Wentworth, Inc. was represented at the ceremony by Bruce Wentworth, AIA, President, and Steven Barnard, Director of Construction. Four times they walked up to the podium to receive the award plaques.

The Remodeled garage is now a family room.

A spacious master bath

Custom details

A facade remodel

Master Design Award Winner

2009-10-19T16:09:00.014-04:00

2009 (Fort Atkinson, WI)- Wentworth, Inc. has been named a winner in the prestigious 31st Annual Qualified Remodeler (QR) Master Design Awards Contest. Wentworth, Inc. won GOLD in the Kitchen >$100,000 category.

Sponsored by Qualified Remodeler magazine, the Master Design Awards is the premier national contest recognizing outstanding achievement in residential remodeling projects in 22 categories. For information visit www.qualifiedremodeler.com.

About the Winning Project
A 1880s, end-unit, brick row house was desperately in need of a new kitchen. The old kitchen had been poorly remodeled in the 1970s and required a complete gutting to the brick walls and floor joists. The homeowners desired a new kitchen that took advantage of views into a newly landscaped rear garden, created a breakfast bar for two, an area for laptops with mail cubbies, and opened the wall between the new kitchen and dining room to make their home more suited to informal living. A rear door was relocated and made taller to suit the new cabinet layout and take-in garden views.

Challenges of this Project
The poor conditions required new framing to make the walls plumb & square, and the narrow space (11’-4” x 14’) required a careful design. The south wall has 12” deep, full height cabinets flanking a counter. A north wall accommodates all appliances, sink, and new casement window. Tight cabinet conditions required that the new rear door be repositioned which also helped with garden views.

Creative Solutions
Careful design accommodates a center island. A cherry counter top distinguishes the island from the adjacent stone countertops. Pendant lighting accents the island and leads the eye to the garden. A 12” deep wall of pantry cabinetry flanks a counter top used for laptops, mail cubbies, and cell phones. The symmetrical design is reinforced with a custom coffered-beam ceiling that accentuates the height and gives panache to an informal space.

Project Results
The overall results are exceptionally well suited to the modestly scaled historic row house. The living spaces now flow front to back – with the kitchen acting as the link to the rear garden and completes the home’s living space. Although a small scale house it now feels spacious. The new kitchen utilizes carefully planned, upscale detailing, that gives the home a sense of understated, practical luxury. All is appropriate.

Creative Solutions
Careful design accommodates a center island. A cherry counter top distinguishes the island from the adjacent stone countertops. Pendant lighting accents the island and leads the eye to the garden. A 12” deep wall of pantry cabinetry flanks a counter top used for laptops, mail cubbies, and cell phones. The symmetrical design is reinforced with a custom coffered-beam ceiling that accentuates the height and gives panache to an informal space.

Project Results
The overall results are exceptionally well suited to the modestly scaled historic row house. The living spaces now flow front to back – with the kitchen acting as the link to the rear garden and completes the home’s living space. Although a small scale house it now feels spacious. The new kitchen utilizes carefully planned, upscale detailing, that gives the home a sense of understated, practical luxury. All is appropriate.

Wentworth, Inc. Honored with Outstanding Award

2009-08-07T10:38:00.012-04:00

Washington Spaces Honors Wentworth, Inc. with
Outstanding Award in the Best of Remodeling Competition.

Washington Spaces magazine named Wentworth, Inc. of Chevy Chase, Maryland, the Outstanding Recipient in the Washington Spaces Best of Remodeling Competition, in the category, interiors less than $100,000. The winning project is featured in the summer issue of Washington Spaces magazine.

About the Project
The winning design was a small but integral part of a first floor addition to a 1970s Colonial style home in Potomac, Maryland. Sometimes a small addition makes a big difference. This was the case for the 4’ x 30’ addition on this single family home. The existing narrow kitchen, small breakfast area, and screened porch did not fit the family’s needs. The homeowner requested a new larger kitchen with an island, a mud room with ample storage, and a breakfast space with banquette seating for six. The one-story rear addition made a significant difference in the home’s livability and functionality. The new addition was appropriately sized to maximize the interior space and work with an adjacent back patio.

The client requested an expansion of their kitchen and breakfast room but the addition’s size was constrained by an existing brick retaining wall. A steel beam and intermediate steel column were installed to open up the rear wall. The column was concealed within a new partition with a punched-opening that visually links the kitchen and dining areas.

Creative solutions include enclosing an existing screen porch as a mudroom with a service sink and cubbies. A bay window at the kitchen sink expands the depth of the counter top. Floor to ceiling windows at the breakfast area flood the room with natural light and are integrated with the custom banquette. Exterior stucco-like cladding gives the addition the appearance of a bay.

The four foot addition improves function and aesthetics. The homeowners feel the design achieved more than they had hoped for: breakfast room, kitchen with island, mud room, and improved rear facade. White painted cabinetry, glass cabinet doors, dark gray granite countertops, oak floors, and hip pendant light fixtures will remain functional and stylish for years to come.

A Passion for the Craft

2009-07-13T08:28:00.034-04:00

By Bruce Wentworth, AIA

Craftsmanship, and a passion for woodworking, is a wonderful combination to have in a carpenter. This is the fortunate talent for Steven Barnard, Wentworth, Inc’s production manager. Not only does Steven enjoy constructing and supervising our client’s remodeling projects…he loves to spend free time at his home shop creating custom items fabricated from exotic woods. Bowls, trays, ball point pens, and custom home accessories are examples of his craft work. The man knows what he likes.

Three of his recent projects illustrate his attention to detail and creative use of modern tools to fabricate items with old world charm.

Cake Platter
A circular platter, fabricated from a South American wood called Jatoba, has pie-crust scalloping (often called flutes), and is elevated on a turned-base. The wood is sometimes referred to as Brazilian Cherrywood although it is not from a cherry tree. What looks like a hand chiseled flute pattern on the surface of the platter was actually created with a guided router and box core bit. To index the flutes he used an old 40 tooth saw blade with a small strip of ¼” plywood to create the ratcheting system. The flutes were router cut with a box core bit and took forty repetitive passes. The base, turned on a lathe, was made of 70 pieces of wood and glued to form the segmented round base with a flared plinth.

Custom Crown Moldings
Custom moldings are something we frequently need when remodeling older homes. Many of Wentworth’s remodeling projects are for older, often historic, homes with crown molding, base, chair rails, and plate rails being altered that are no longer available as stock catalog items. Steven’s wood working skills make it possible to quickly replicate old moldings without resorting to an expensive private millwork shop with long lead times. A recent project involved alterations to a 1880s Queen Anne residence on Capitol Hill. Because the oversized crown molding was to be painted a Poplar wood was utilized. Poplar strips were glued up as thick lengths of lumber and ripped to size. Using the old molding sample, the profile was traced onto the new wood to determine which of the router bits should be used, and in which order, to replicate the molding profile. All of this was run on a router table at his home shop.

Custom Stair and Newel Posts
A recent project in a small older urban townhouse required that our carpenters build a custom stair and railings. This new stair replaced an existing winder staircase that had been poorly built. Every tread was a different size to fit the tight space. Treads, risers, railing and newels were all custom oak work. These newels were also built by Steven using a lathe along with good eye and hand work.

Remodeling older homes is more complicated than building new. It requires integrating the new and old, and understanding how older buildings were assembled. A carpenter who understands these issues, is able to replicate the old, and has a passion for custom work is an essential ingredient to a successful remodeling project. Wentworth’s remodeling clients benefit from Steven’s technical skill and experience because it reduces cost on custom details, speeds the process, and makes the project fun.

A Custom Painted Floor

2009-06-02T16:57:00.024-04:00

By Bruce Wentworth, AIA

Painting your wood floors is a wonderful way to give your home variety and create a custom look. If you keep it simple it can be a cost effective way to enhance your old wood floors. If you want a more refined, detailed look it will cost a bit more.

A recent design problem involved oak floors for a kitchen and adjacent dining room. The kitchen was being remodeled with a new 9’ wide opening to visually link the dining room and gain natural light from the south facing room. Custom mahogany cabinets, and dark gray limestone counter tops, were a dressy touch for the new kitchen. The design dilemma was how to handle the wood floor finish. The homes’ existing oak floor had a medium dark stain - but continuing the stain color into the kitchen did not provide visual contrast with the cabinets; it would have been muddy. And changing to a lighter stain would have looked odd against the existing dark oak floors. Solution: paint the wood floor. Paint provided a natural break from the existing stained oak floors, and a color compliment to the new kitchen cabinets.Of course, once paint was selected we had to decide upon the color and pattern. Without too much agony, a light gray neutral color was selected because it worked well with the gray limestone counter top and complemented the mahogany cabinets. I was fortunate to know Maxine Cohen who had experience with painted floors. I knew that painting a monolithic gray would not suffice – so with the idea of a two-tone gray floor, I prepared several drawings with subtle striated patterns.

Conceptually it is a rectilinear pin wheel; a small rectangle, in a solid gray, placed as the center of the pinwheel, around which a large rectangle and a large square are placed. The square and the rectangle are differentiated by the differing widths of their stripes.

The pattern creates a gentle visual movement on the floor and never feels dead. Maxine made three test mockups to get it just right and cleverly cut rubber squeegees with different size slots (like combs) to create the stripped patterns. It worked like a charm…but took seven days to paint. The long days of taping the pattern, painting, and letting it dry to implement the detailed design was worth it - as the evidence shows.

Preservation Cafe Comes to Cleveland Park

2009-05-13T10:46:00.013-04:00

The Cleveland Park Historical Society (CPHS) kicked off their first-ever Preservation Café symposium at the Ardeo restaurant on the evening of April 28, 2009. www.clevelandparkdc.org

Architect, Bruce Wentworth, AIA, was the invited guest speaker at the event which hosted 52 CPHS members. The event focused on several of the residential architectural styles found in the Cleveland Park Historic District. The architectural styles chosen for discussion were: Colonial Revival 1880-1955, Queen Anne 1880-1910, Tudor 1890-1940, Bungalow 1905-1930, Art Deco 1925-1940, and Shingle Style 1880-1900. Each of the styles was illustrated with photos of houses from Cleveland Park photographed by the architect.

An Italianate Style home (circa 1872) was illustrated as the first house restored by Mr. Wentworth more than 25 years ago. Photos represented numerous architectural details; window & door hoods, clapboard, and other architectural details, restored. Mr. Wentworth recently put his survey of residential architectural styles in the DC metro area on line at www.AskTheArchitect.org allowing a wider community to research and identify their own homes period and style.

The evening’s presentation was followed by a Question and Answer period during which time Mr. Wentworth addressed questions from CPHS members about their own historic homes.

Architect Frank Lloyd Wright’s Legacy Keeps On Giving

2009-04-17T10:18:00.030-04:00

By Bruce Wentworth, AIA

The 50th anniversary of Frank Lloyd Wright’s death (April 9, 1959) is a milestone for anyone who cares about residential architecture, and an appropriate occasion for me to reflect on his vision and enduring influence. Wright’s personal residence-- “Taliesin East”-- in Spring Green, Wisconsin (near Madison) was a renowned landmark when I was growing up in suburban Milwaukee, and his famous school was nearby. Locals spoke his name with respect, honored that a person of his international stature shared our understated but lovely countryside.

When I was five, my parents decided to look for a family home just outside Milwaukee, and happened upon a contemporary that was inspired by Wright’s ideas: open floor plan, high vaulted ceilings, stone and wood construction. Awestruck, I asked my mother who ‘draws’ these houses? To which she responded “an architect”, “Then that’s what I want to be,” I replied. Afterwards, my mother mentioned Wright’s name often, and I began finding books about his work. That experience—aided by a sand box, tinker toys and building blocks-- set me on the path that eventually led to my career choice.

Throughout the 1950s, Wright’s work completely captured the public imagination. He became the virtual symbol of the notion that architecture can express social progress. Newspapers and magazines exulted in his design for America’s modern art Mecca: New York City’s Guggenheim Museum. I later learned that Wright had resided at the Plaza Hotel while in the city, and even developed an interior design for his suite.

Despite a turbulent personal and professional life fraught with financial ups and downs, Wright enjoyed a long and prolific career. He designed more than 1,100 homes and buildings of which 532 were actually constructed. His contributions to architecture (and social theory) ranged from ‘organic architecture’, the Usonian home, and the Prairie School of design to ‘Broadacre City’, a pioneering experiment in modern urban planning.

How Americans live today has been fundamentally shaped by Wright’s designs and lifestyle concepts. The Usonian home—a simple, rectangular form stripped of unneeded adornment—become the prototype for a futuristic egalitarian structure that sublimely marries form and function. Plans called for a moderate, inexpensive structure of about 1,200 square feet that features an open floor plan, built on a slab with radiant heat, no basement, a carport instead of a garage, no interior trim, no plaster, no gutters or downspouts, and no painting. In essence – a low-cost, perfectly balanced, yet small house that would require minimal maintenance.

Notably, Wright’s Pope-Leighey house (circa 1940) in south Alexandria perfectly illustrates the maestro’s vision. The economy of scale, use of natural materials, and glass walls inviting visual continuum with nature are all in evidence. Clerestory windows provide natural light along with privacy. Solutions are crisply articulated, highly functional and beautiful.

By the time of his death in 1959, at the age of 92, Wright had become internationally known. Still, 50 years after his death Wright’s core ideas still guide our designs, and our thinking.

Let us know how Frank Lloyd Wright has influenced you.

The Luxury of Space

2009-04-09T14:46:00.021-04:00

By Bruce Wentworth, AIA

It is a rare occasion when a client has too much space. But it does happen. And this was the case for a recent remodeling project involving a Master Bathroom. The happy homeowner’s are a couple with two small children and a spacious townhouse.

Their circa 1980s home needed an updated master bathroom that utilized the existing space properly and took advantage of a spectacular city view from its fourth floor vantage. Although the existing bath’s space was ample, it was inefficiently arranged, cheaply built, and lacked the aesthetic appeal desired by the homeowner.

The space had several challenges. A south facing wall of glass included a large window and sliding-glass door that lead to a narrow balcony. The spectacular view from the fourth floor bathroom was sacred, but lacked privacy and suffered from hot southern sun. Additionally, there was too much space to properly place all of the bathroom functions in one room adjacent to a wall of glass. Sensible design required that the bath be reconfigured and zoned for functionality.

The design team agreed that the new layout would have ‘public’ and ‘private’ spaces to be more practical. The public space, opening onto the master bedroom with double doors, was placed near the window wall with a free-standing sculptural tub so bathers can enjoy the city view. A double-sink vanity, furniture-like with a mirror and over-mantle feature, provides an aesthetic and functional focal point. The large wall visible upon entering the space was enhanced with applied panel moldings and two tone paint colors. The public area’s ample space also accommodates an upholstered bench and a cheval glass mirror. The simple arrangement and ample space feel luxurious. Privacy and sun control are provided for with a wall of sliding louvered panels.

The bath’s smaller, private space was placed behind a new wall. Separated from the public space, by a frosted-glass pocket door, this smaller private area accommodates the toilet and a large walk-in shower stall with a built-in bench. Large scale porcelain wall tile and horizontal bands of glass mosaic wall tile enhance the shower. Linked to this private space is an existing ample sized walk-in closet that allows the homeowner to exit to their bedroom.

Success is measured with a happy client. Aesthetically and functionally the master bath has changed their home for the better. The project is a testament to the importance of a good space plan zoned with public and private spaces. Where else can a homeowner enjoy a view of the Washington Monument while soaking in their tub?

Bruce Wentworth, AIA, an architect and contractor, is the founder of Wentworth, Inc. a residential design-build firm offering architecture, interiors and construction. 240-395-0705 x 100. www.wentworthstudio.com

2009-04-02T16:06:00.022-04:00

NARI Honors
Wentworth, Inc.
With National CotY Award

Chevy Chase, MD, April 1st, 2009 – The National Association of the Remodeling Industry (NARI) named Wentworth, Inc. of Chevy Chase, Maryland, the 2009 National CotY Grand Award winner in the category Residential Exterior Under $100,000.

click photos to zoom

Wentworth, Inc. (www.wentworthstudio.com), founded by architect Bruce Wentworth, AIA, is residential remodeling design/build company located in Chevy Chase, Maryland. The firm specializes in architectural design and remodeling of older urban homes. Wentworth, Inc. was named 2009 National Contractor of the year (CotY) in the category of Residential Exterior Under $100,000 by the National Association of the Remodeling Industry (NARI). Each year, NARI members from across the country submit their best remodeling work to be considered for the National CotY Awards. The National CotY represents the best in the remodeling and design-build industry across the country.

Wentworth, Inc. was presented the award at NARI’s Evening of ExcellenceSM on March 28 at the Sheraton Atlanta, Atlanta, Georgia. The Evening of ExcellenceSM is widely considered to be the premier event of the year in the remodeling industry, and was attended this year by more than 250 of the industry’s elite. Wentworth, Inc. received the Grand Prize award in the category Residential Exterior Under $100,000.

CONTACTS
Mary Endres
Wentworth, Inc.
P 240.395.0705 x108
mendres@wentworthstudio.com

Bruce Wentworth
Wentworth, Inc.
P 240.395.0705 x100
bwentworth@wentworthstudio.com
www.wentworthstudio.com
(photos available)

Wentworth, Inc. earns Six NARI Metro DC Capital COTY Awards

2009-02-10T10:01:00.007-05:00

NARI METRO DC Honors Wentworth, Inc. With Six Capital CotY Awards

Wentworth, Inc. (www.wentworthstudio.com), a residential remodeling design/build company located in Chevy Chase, Maryland was honored with six 2008 Contractor of the year (Coty) awards from the Metro DC chapter of the National Association of Remodeling Industry (NARI). Each year, Metro DC NARI members submit their best remodeling work to be considered for the Capital CotY Awards. The Capital CotY represents the best in the remodeling and design-build industry in the metro DC region.

The honors were announced at the 2008 Metro DC NARI chapter’s annual awards banquette, January 24, 2009. Wentworth, Inc.’s awards included two Grand Prizes and four Merit awards:

· Residential Addition under $250,000: Grand Prize

· Residential Kitchen over $150,000: Grand Prize

· Residential Interior $250,000 and under: Merit Award

· Residential Bath $30,000-$60,000: Merit Award

· Residential Kitchen $50,000 to $100,000: Merit Award

· Residential Exterior Specialty Merit Award

Wentworth, Inc., founded by architect Bruce Wentworth, specializes in the design and remodeling of older urban homes. Previously, Wentworth, Inc. has won five Capital COTY awards, for a total of eleven awards in the past three years:

· 2007–Grand Prize—Residential Interiors

· 2007–Honorable Mention—Residential Kitchen

· 2007–Merit Award—Residential Addition

· 2006–Honorable Mention—Residential Kitchen

· 2005–Merit Award—Residential Bath

“These awards are a tribute to the Wentworth, Inc. employees for their expertise and collaboration on every project.” -Bruce Wentworth, AIA

Contact:
Candice Carver
Wentworth, Inc.
P 240.395.0705 x108
F 240.395.0707
ccarver@wentworthstudio.com
www.wentworthstudio.com
(photos available)

Garden Walls Come First

2009-01-26T16:03:00.013-05:00

My garden is the place I come at the end of a day to forget the trials of running my remodeling business, a place to momentarily forget the difficulties of the world, a place to get refreshed. Designed environments should do that.

It took eight years to create the garden at my Northwest, Washington, D.C. home shared with my wife. It is a work-in-progress. Happily, our circa 1920 house was placed forward on its lot, 120' x 55', leaving ample space for a rear garden.

With the help of landscape architect, Mark White, we created our garden’s master plan allowing us to implement work in phases as it was affordable. Getting the design ‘right’ meant building the brick fence first; more than 160 linear feet of it!

DC city zoning laws require that fences be built at, or inside, property lines and not more than 6’ in height from grade. We hired a licensed surveyor to mark our property lines to ensure that placement of our brick fence could not be questioned.

We quickly learned the importance of our garden’s master plan because even the brick fence was too expensive to build all at once and required two phases:

1- The first 100' was built at the south and east in 2001,

2- The remaining 60' at the north side more than a year later.

The fence is the important design element of the garden because it provides closure and the architectural framework for the walled garden. Following our master plan, new planting was restricted to the newly fenced areas.

Visitors are quizzical when they learn we went to the effort to build a brick fence around our garden, until they tour the garden. Fence and plantings act as a couple, working together to complete the experience. The fence blocks the view of a wrap-around alley and with the help of a contained bamboo bed screens an adjacent office building. The enclosure creates a micro-climate, gentle on plants and its brick piers form plinths for cast-stone urns, adding height and enclosure.

For aesthetics I wanted a repeating pattern of brick piers, each capped with 2" thick flagstone, linked by brick walls. The piers are spaced 10' apart which creates visual rhythm but primarily serves a structural purpose to support a thin brick fence. A focal point, at the back end of the garden, was created with a round opening, called a ‘clairvoyee’, and embellished with scrolls of ironwork. The length and height of the brick fence required a structural engineer design a proper footing. For strength and economy a continuous 24"d. x 24"w. reinforced concrete footing was designed for an 8" wide fence, and a 24"d. x 36"w. footing was built for each brick pier (twice the thickness normally specified). The large footing, disliked by the mason because of its size, provided a cost savings because it allowed for less brick with a thin 8" wide wall between piers; whereas smaller piers and footings would have required a 12" thick brick wall. The fence has not settled or cracked in eight years, evidence of a job well done.

As a couple we joke that we’re both a bit introverted and if left alone could become hermits. We entertain often in the garden, which helps overcome our natural inclinations. At the end of the work day there is nothing I like more than to arrive home and walk in the garden. In the warm weather I open the French doors leading to our porch and soak up the lush garden aromas of this little urban oasis. It was all worth it.

2009 Trends for Interiors

2008-12-15T13:30:00.008-05:00

2009 Color Trends

Inspired by tones to create a retreat from the stresses outside your home, color trends for 2009 are soothing and reflective of calm natural tones. Base colors create a casual attitude and neutral canvas for bright pops of color with a combination of warm and cool grays reflecting the purpose of the space. Neutrals range in vegetative and mineral shades found in nature like olive green, khaki, and bright pale blue. Contrast these with warm brown and golden leathers and woods in shades of camel, rust, and walnut to create a sense of warmth and coziness. Also, don’t be scared to brighten your home by using a play of light and dark with the use of silky pastels with vivid shades. Lavender and Yellow are your go to accent colors for the year.

To view more 2009 trends for Interiors, be sure to check out the 2009 issue of "Living Design," Wentworth's free annual newsletter. Contact us at newsletter@wentworthstudio.com to recieve a copy.

How to Create a Practical and Luxurious Town Home Kitchen

2008-12-05T10:20:00.005-05:00

Our recent client was in the dilemma of moving into her townhome which she had purchased decades ago before being sent overseas for work assignments. She decided to rent the home and it experienced some normal neglect. Now that she has been relocated back in DC, the homeowner wanted to make a new home in her charming Queen Anne townhouse and started by remodeling the kitchen.

The home owners set out specific design parameters for upgrading the old 1970s kitchen:
• Open the kitchen to the adjacent dining room for informal living
• Take advantage of the sunny garden views
• Include a breakfast bar in the new design
• Provide ample storage
• Create a place for a laptop
• Maximize every bit of space

Meeting these goals required that the wall between the kitchen and the dining room to be opened and trimmed with molding to match the 1880s style home. At the kitchen's rear wall a larger opening was cut for new French doors with transom, which opened sight lines from front-to-back in the house, and the large glass area captures morning sunlight for a happy kitchen environment.

The new kitchen space was narrow; it measured only 11'-4" wide x 14' long. Careful design maximized the space and accommodates a long center island with a breakfast bar. The island is highlighted with three hand-blown glass pendants that lead the eye to the garden view. At the side of the island is a wall of tall 12” deep storage cabinets with central cubbies and a stone counter for a laptop. The opposite wall is fitted to be the true work area - cabinets, sink, and appliances. The tile backsplash is given aesthetic prominence with a grid of limestone and frosted glass mosaic.

A custom coffered beam ceiling unifies the design by reinforcing the kitchen's plan layout. The rectangular shape, mirroring the island, gives direction to the space, and accentuates the garden view.

Spaces flow front-to-back, with the kitchen acting as a visual link to the garden. Although a small-scale town house the design makes it feel spacious. The new kitchen was carefully planned with upscale detailing, that gives the home a sense of understated practical luxury.

To view the whole article and more pictures, be sure to check out the 2009 issue of "Living Design," Wentworth's free annual newsletter. Contact us at newsletter@wentworthstudio.com to recieve a copy.

Oh the Choices!

2008-11-13T07:34:00.012-05:00

Guest blogger Jennifer Parker guides you through kitchen renovation selections; from cabinets to the precise shape of hardware this is an intelligent overview of what you may encounter when working with a designer/remodeler.

I like using analogies to describe the design process; so if we’re talking about making renovation/design selections consider this analogy. It’s like constructing a perfectly balanced mobile, one component at a time. Your architecture, fixtures, furniture, fabrics, flooring, wall color, and accessories—they’re all connected. Think creatively but also think holistically.

Say you’ve decided to move forward with the renovation of your kitchen. You’ve engaged an architect and designer, worked with them to nail down a plan and articulate a style direction. Now it’s time for selections to begin.

For the cabinetry, you fall for a beautiful wood-stained maple in a mid tone with a simple rectangular recessed panel and single-bead detail inside the flat frame.

Gorgeous; now to select the countertop; you decide on a natural material, granite, and that you’d like to pull out some of the browns to reinforce the “nature reference” suggested by the wood grain of the cabinet; how about this one:
Are you seeing the relationships; the connections? The organic movement in the wood grain and in the stone; hues from nature—it’s a marriage made in heaven.

As you move forward the architect and designer are looking to guide the selections to ensure there are connections or relationships between each element that will be a part of your completed space. We’re very conscious about the obvious and subtle network of similarities or foils that each and every selection brings to the design “total”; the mobile in perfect balance.

Now you need to choose a profile style for the edge of the countertop; as a general rule consider the level of formality you’re going for as well as the profile of the cabinet door as your inspiration. Your cabinet door has a flat frame with a single-bead detail inside the frame so the edge profile of the countertop should follow suit—pick something simple, not over-worked, and of course, comfortable to lean up against.

There are a plethora of edge styles but you manage to narrow them down to three; the first is a double eased edge. This is the most contemporary choice and looks good with the flat frame around the recessed panel of the cabinet.

The second is a half bullnose which kind of mimics the curve of the bead detail inside the flat frame of your cabinet door.

The third is an ogee edge which looks a little more traditional compared to the others.

Take a look at some of the other types of edges available for countertops. Check out this website for great bite-size blurbs about other kinds of countertop materials and edge styles: ; or go to this website to look at countertop materials with different edge styles actually simulated on the site.

Just like the countertop edge style, kitchen hardware should have some kind of aesthetic relationship with the forms around it.

For the hardware finish; an oil-rubbed bronze to pull out the soft gray and black-brown flecks in the stone looks great.

Handle style? You can go linear and geometric to accentuate the clean lines of the cabinet door frame, balancing the organic with modern. The double eased edge for the countertop relates nicely to this.

Or let’s say you want to reinforce the “nature reference” by choosing a textured handle that plays off of the wood grain of the cabinetry. The half bullnose for the countertop edge looks great with this one; the curves repeat. I call this look “earthy modern.”

Or do you want a more transitional look like this? The raised detail about 1/3 in from each end is called a “bead” and this echoes the wood bead detail running along the inside edge of the frame around the cabinet door.

The ogee edge on the countertop complements the graceful profile of this handle but if you look closely you can find relationships to the other countertop edge profiles as well.

All three picks are aesthetically pleasing and appropriate for your cabinets. All are simple in form, clean-lined and ergonomic choices; one a little more modern, one a little more rustic, and one a little more transitional. If you still can’t decide; take a look at your flatware, your tableware. Look for style clues or motifs in other things you love that will go into the same space.
If you find yourself overwhelmed in the selection process and are asking “How do I choose? What’s the basis?” Well, this is it: appropriateness, aesthetic relationships between your selections, harmony and balance in the design.

Fast forward another thousand-or-so selections (by now you’re a pro) and you’re done!

Remember the design process is a continuum of choices. No selection is isolated, and every change made to your design plan may require a re-examination of subsequent design choices.
And think, just like the best gatherings—where guests have enough in common, and yet enough variety to keep the conversations interesting and memorable—your home should have its own ongoing dialogue between each element carefully selected in the design process.

Jennifer Parker holds a degree in interior design, is an Allied Member of the American Society of Interior Designers, and a member of the National Kitchen and Bath Association. Her background includes an A.A.S. with a major in fine arts and professional experience as a graphic designer with the National Geographic Society. Patera Home was established in the year 2000 and is located in Reston, Virginia.

Tricks and Treats of D.C.'s Architecture cont.d

2008-10-31T15:44:00.004-04:00

To finish up this week long celebration, here is a short list of other haunted sites that almost didn't make it on the blog....

Have A Safe and Happy Halloween!

Blair House
The ghost of President Woodrow Wilson has occasionally been seen in the bedroom rocking chair.

Catholic University -Caldwell Hall
Mysterious lights and the ghost of a priest who fell to his death, following his discovery of one of the last books on performing exorcism is said to be seen in the attic window.

Ford's Theatre
John Wilkes Booth's footsteps have been heard running up the back staircase towards the presidential box.

Fort McNair - Building 21
John Wilkes Booth (even though already dead) and conspirators were hung in the attic of this building following Lincoln’s assassination. The carpenters who renovated this building reported hearing footsteps in the attic and feeling like someone was always following them. Mary Sarat who was convicted for her part, has been seen wandering the building officers trying to convince guests that she is innocent of the crime.

The Hay - Adams Hotel
This hotel was built in 1927 on the site where the mansion of Presidential Advisor Henry Adams had lived. The wife of the original mansion owner, Marian Hooper Adams, appears to haunt the hotel. At night, the scent of Mimosa is in the air on the eighth floor and the housekeeping closet on the 6th floor will NEVER stay locked after repeated lockings with the key by security. You will also notice that the chandelier of the hotel's lobby constantly sways.

Kendall Green – MSSD
MSSD is located in the back part of the campus of Gallaudet University on a hill facing Rhode Island Ave -- MSSD was founded in 1969 and Gallaudet was founded in 1857. The students at MSSD would feel hoof beats going through the campus, possibly the route taken during the Revolution War going towards Pennsylvania.

Marine Barracks at 8th & I
The lower parking garage is haunted by the spirit of a young child that was killed by a vehicle coming up the ramp. Every now and then marines have seen a red ball rolling down the ramp to the upper parking and heard a child's voice calling to them in the early hours of the morning.

Treasury Annex
A woman has been observed on the second floor of the Treasury annex. Workers have reported footsteps and voices after work hours. A late working worker, reported seeing the woman glide in front of her office. She went to report the incident to her supervisor, he was coming out of his office because he thought someone had peeked in his door; that was followed by the ruffle of a dress, similar to when a person is walking.

Tricks and Treats of D.C.'s Architecture cont.d

2008-10-30T11:26:00.003-04:00

National Theatre

On Pennsylvania Avenue, three blocks from The White House, is the National Theatre, "The Theatre of Presidents." Almost every great stage performer of the past century has appeared here.
Almost since it’s construction, the National has been haunted by the friendly ghost of actor John McCullough, supposedly shot and killed by a fellow performer. A rusty pistol, perhaps the murder weapon, was unearthed under the stage in 1982, near where McCullough's remains are rumored to lie.

On the opening night of a new show, the silent ghost can be seen in various parts of the theater, making sure that all is in order.
Some reports tell of McCullough dressed as Hamlet, or his most famous role, the ill-fated Roman centurion, Virginius.
One startled performer, who had known the deceased personally, said he saw McCullough seated calmly in front of the audience.
From time to time, doormen and others report their encounters with the ghost in backstage hallways, on staircases, in dressing rooms, and on the empty Washington stage which he performed on.

St. Elizabeth's Hospital

The campus of St. Elizabeth’s sits on bluffs overlooking of the Potomac and Anacostia Rivers. It opened in 1855 as the Government Hospital for the Insane. During the Civil War it was converted temporarily into a hospital for wounded soldiers. In 1916, its name was officially changed to St. Elizabeth’s, the colonial-era name for the tract of land on which the hospital was built. Built in the Gothic style by Thomas U. Walter, who also designed the Capitol dome, the building itself has long drafty halls within its fortress like appearance. The campus and stories behind it manifest into it being known as a truly haunted asylum.

Assassins and would-be assassins were confined at St. Elizabeth's. The man who tried to shoot President Andrew Jackson, the man who did shoot President Theodore Roosevelt and, the man who wounded President Ronald Reagan all ended up there.
During renovations records, photos, and medical equipment have been discovered revealing experimentation, torture, and autopsies taking place in spaces that were condemned.
There were always stories of staffers hearing noises from parts of the building which had long been since abandoned. Moans and groans, along with footsteps and numerous cold spots forced some to avoid that building at all cost.

Tricks and Treats of D.C.'s Architecture cont.d

2008-10-29T13:36:00.002-04:00

The Octagon House Museum

The Octagon House was designed for John Tayloe III by architect William Thornton, the first architect of the United States Capitol. Built between 1799 and 1801, this was the first house to be completed "in the neighborhood" of the White House.

One of Tayloe's fifteen children either fell to her death through the center of the grand staircase. Stories include a strange candle-shaped shadow on the staircase and the faint sound of a falling scream.
A second daughter, while pregnant, died in the house by throwing herself from the top banister upon finding out her father had done away with her soldier lover, whom he disapproved of. Her ghost is said to roam the halls.
Occasionally visitors have claimed to seen John himself walking the halls of the home along with slaves performing their daily routines.
A somewhat more pleasant ghost, reported to have been seen dancing and enjoying the lilacs, is assumed to be Dolley Madison who adored her stay in the house.

The Octagon House Museum Web Site

Healy Hall-Georgetown University

Officially, the fifth floor of Healy Hall does not, and never did, exist. The high Victorian design of the building, which was constructed in the late 1870's during the presidency of Patrick Healy, lends itself to speculation about secret sealed-off floors and ghostly inhabitants.

One story of how this floor came to be haunted dates back to when Georgetown was a liberal arts college. A young Jesuit student accidentally opened the Gates of the Underworld when reading forbidden chants in a book about exorcism within a secret room in Healey Hall that is now sealed off.
A second tale involves another Jesuit, who was crushed to death by the hands of the clock while working in the clock tower and now wanders the floor moaning in pain.
Other Georgetown ghost stories tell of trapped spirits in the University's underground tunnel system.

Tricks and Treats of D.C.'s Architecture cont.d

2008-10-28T11:26:00.003-04:00

Eisenhower Executive Office Building

Next to the West Wing of the White House know as the Old Executive Office Building before it was renamed in 1999 and rededicated in 2002, is the Eisenhower Executive Office Building. The building design, based on an addition to the Louvre, is in an ornate style that is known today as the French Second Empire Style, built between 1871 - 1888 (17 years total). As one of the most grand buildings in D.C. the Eisenhower Building has witnessed accidental and natural deaths, as well as a few suicides, possibly leaving a number of souls wandering the halls.

Staff members working overnight in the building have reported seeing ghosts in the halls, especially in the early morning hours, but never in the offices. Who wants to work in the after life anyway…
On the ground floor beneath the northeast monumental stair is the location for two accidental deaths, a White House Historian has said to have witnessed evidence of activities that he can't explain, which has caused many to think that spot is haunted.

Stephen Decatur House Museum

Celebrated Naval hero, Commodore Stephen Decatur, Jr., and his wife, Susan Wheeler moved to Washington, D.C. in 1816 and purchased a plot on Lafayette Square for their new house. Benjamin Henry Latrobe designed their Federal style home to reflect their high class and prominence in social circles. It was the first private residence built on the President's Park, neighboring the White House. The couple moved into their grand house in 1819 and hosted a number of extravagant parties. Soon after, a thirteen year quarrel ensued between Decatur and an old college friend, which finally resulted in a duel where Decatur was fatally wounded and died several hours later at his home.

Near by residents have claimed the home is haunted by Stephen Decatur, whose spirit can be seen as a shadowy figure gazing out of the second floor window or stealthily leaving the house from the back door. The numerous sightings have caused the windows to be covered to prevent gawking.
There is an unexplained sound of mournful weeping many stories attribute to the ghost of Stephen's widow, Susan, who moved out of the house following the death of her husband.

Tricks and Treats of D.C.'s Architecture cont.d

2008-10-27T15:36:00.004-04:00

The National Building Museum

Only a few blocks from Capitol Hill, in Penn Quarter, lays an example of an Italian Renaissance Revival, The National Building Museum. A sought-after spot for gala events, including many Presidential Inaugural Balls, and the site of multiple ghost sightings. Originally the National Pensions Building, it was renamed when converted into a museum in 1980.

There have been multiple reports of a soldier on horseback with his sword, identified as civil engineer and Army General Montgomery C. Meigs who designed the building in 1881.
Among the tops of the eight 75-foot Corinthian columns, among the tallest interior columns in the world , visitors claim to see swirling unrecognizable faces.

The White House

On October 13, 1792, construction of The White House began of white-painted Aquia sandstone in the late Georgian style. President John Adams and his wife Abigail Adams were the first to live in the Executive Mansion in 1800. In 1814, during James Madison’s presidency, the British burned the building. The building was immediately repaired and repainted and was called The White House from that point on. When Thomas Jefferson moved into the home in 1801, he, with architect Benjamin Henry Latrobe, expanded the building outward, creating two colonnades which were meant to conceal stables and storage.

Many presidents have felt a connection to past presidents while living at the White House, especially to President Lincoln. Lincoln's ghost has appeared most often in the area of the Lincoln Bedroom and second floor corridors. There have been reports of a pacing spirit, pensively posed with his hands clasped behind his back. Winston Churchill refused to sleep in the Lincoln Bedroom after he witnessed the ghost of Abraham Lincoln walking the room. Footsteps and knocking in the night have been reported by both staff members and visitors. Mary Todd Lincoln, held several séances in the Green Room to try to contact her dead son, Willie. Following the murder of her husband, she sought contact with him and claimed she had succeeded.
White House members of staff have seen the spirit of Abigail Adams cleaning her laundry in the East Room.
When the wife of President Woodrow Wilson, First Lady Ellen Wilson, wanted to dig up the rose garden the spirit of former First Lady Dolley Madison supposedly told the workmen not to ruin the garden.
Some claim to hear Andrew Jackson laughing loudly in his former bed chambers, the Red Room
A menacing British soldier has been spotted trying to set a fire with a blazing torch, possibly the same soldier from The Capital building?
A version of the story of Washington's Demon Cat, place the phantom cat in the White House basement.

See videos about some of these encounters at the White House Web Site.

Tricks and Treats of D.C.'s Architecture

2008-10-24T16:33:00.007-04:00

It doesn’t have to be Halloween to be spooked. Washingtonians have been altering their routes after dark for years due to the haunting characteristics of homes and buildings in the area. In honor of the upcoming holiday we will be posting the a list of DC’s most well-known architectural sites whose style and history have invited legends, ghost stories, and strange visitors….

U.S. Capitol Building

The #1 tourist destination in Washington DC is the United States Capital. Like many other buildings in Washington, DC the U.S. Capitol is based on ancient Greek and Roman designs reinterpreted into a Neoclassical style. Construction of the Capitol building began after President George Washington and Secretary of State Thomas Jefferson chose the winning design of William Thornton in 1792.

Legend tells that during the construction of the Capitol building, an irritable carpenter smashed the head of a stones man and buried the body in a wall. The stones man has allegedly been spotted walking the halls.

In 1814, the British tried to burn the Capital building down. Damage was sufficient that congress had to relocate to a hotel. One story tells of a British soldier who runs the halls with a torch, evidently he doesn’t know the war is over.

In 1890, Congressman William Taulbee was shot by Charles Kincaid, a reporter, on the marble steps of the Capitol building. Taulbee died 11 days after the incident but the bloodstain can still be seen today on the marble steps leading up to the House Press Gallery. When reporters pass that area, they sometimes trip, which is said to be caused by Taulbee enacting his revenge.

In the late 1800's General John Alexander chaired meetings in the Military and Militia meeting room of the Senate’s wing. At 12:30 am, everyday, the General is said to appear outside this room looking upset.

The cast-iron dome, replacing the original wooden structure, was constructed between 1855 and 1866. The ghost of a worker killed when he fell from the dome has been reported floating around the rotunda carrying a tray of tools.

During the Civil War the Capital served as a hospital to treat soldiers. On occasion visitors have claimed to see soldiers dashing through the halls. One story tells of a man who appears and salutes, then vanishes.

The Library of Congress once inhabited the rooms to the west of the Rotunda. A male librarian allegedly haunts the area, looking for $6,000 he stashed in the pages of some obscure volumes. (The money was found in 1897 when the collection moved to the Jefferson Building.)

The best known legend is of D.C., Demon Cat, who lives in the basement of the U.S. Capitol Building, possibly in the room known as the Crypt. When it appears a national disaster is likely to occur within a short period of time. Some versions of the story, warns that while the Demon Cat may first appear as a helpless looking kitten, it grows in size and becomes threatening as people approach him.

When guards walk through Statuary Hall, which used to be the early meeting place of Congress, they claim to be followed by footsteps. Guards have admitted to trying to outrun the footsteps, but are tackled by someone unseen. Some guards say theyt have seen John Quincy Adams leading a session of Congress, circa 1850, who died in that hall.

A remodeling trend that can change the way you live: Master Suites

2008-10-17T13:57:00.011-04:00

I get a kick out of being an architect who specializes in remodeling because I like helping people change their lives. Most of our clients, each in his or her way, are seeking to improve life by remodeling their homes. These days many homeowners are changing and improving their lives by creating “master Suites”

The very words convey the importance of the space. The term “master” (a person with power to control) and “suite” (a series of connected rooms used together) connote a series of linked spaces for the exclusive use of the people who hold the power in the space. Who wouldn’t want to hang out in their own private suite?

Your master suite should contain a number of components; think them through and mix them with good design. You will have the ingredients for your master suite: Adequate space, Bedroom (optional sitting area, Private bath (as large as practical), closets (Walk-in preferred), and dressing area.

Reconfiguring to create adequate space
Your home may have sufficient space to create a master suite, but often it’s not immediately apparent. With creative design, it’s possible to reconfigure existing space, for example, taking over one or more closets, redoing a bathroom and, occasionally, incorporating an extra bedroom to form a master suite. If your design professional says that reconfiguring space doesn’t work, you may have to build an addition which could be more expensive than reconfiguring. Consult an architect before deciding which way to go because your neighborhood may have zoning restrictions that preclude an addition.

Planning your bedroom
Your bedroom is a personal space and its design should enhance your life in every way possible. When planning a bedroom think about function, aesthetic and emotional needs. Think of how the space design of the hall outside affects the design of the bedroom. Know the kind of furniture you want to accommodate: queen or king size bed, night stands, dressers or chests. Do you need work space for a hobby or desk? Can you replace some of the furniture with more efficient built-ins? Will you need a sitting area? Do you watch TV or read in bed? Does your home have southern light or a view that can serve as an amenity?

A dedicated bathroom
A dedicated bathroom, that is, one restricted to your personal use, is the most important ingredient for a master suite. A simple bathroom can be achieved in a 5’x 8’ space. If it’s dedicated to the suite, that can be enough. If your home has extra space, you can add the luxuries: separate shower stall, soaking tub, vanity with double sinks, bidet and even a separate compartment for a toilet.
Plan your lighting carefully because it’s essential in a bathroom. You will usually want overhead lighting and also lights that flank the mirror or walls sconces to reduce shadows. Be sure to install a separate light in the shower and another in the toilet area. It’s a good idea to have several light sources at a vanity. You should have natural light from a window or skylight somewhere in the bathroom; and you may prefer natural ventilation even with an exhaust fan.
Your bathroom's budget will be greatly influenced by the finishes you select. Flooring can be hip looking, economical ceramic tile, or you may prefer stone tile or even wood. Counter top materials have equally as great of range.

Closets
Closets should be adjacent to the bathroom for easy access. Their proximity will reduce the distance you have to walk and be less disturbing to your significant-others sleep. Walk-in closets are best if space allows room for them and should be at least 6’ wide to accommodate clothes hanging on both sides. If your space won’t accommodate a walk in closet, use long closets with large doors that provide easy access. Double rods and shelves will maximize storage. I recommend using a closet specialist to maximize the space.

Mirrored Dressing area
A dressing area can be small or large, but should be adjacent to the closets. Built in chests are an efficient way to store clothes and often times we design niches for dressers. IF space allows, a small chair or bench is preferred. Plan for mirrors, full length or wall hung in the dressing area.

Setting a realistic budget
If you want a master suite you need to set a realistic budget. Each house and homeowner has different requirements, but a realistic range is $100,000 - $200,000 depending upon what’s to be done. The bathroom will probably be the most expensive piece of you new master suite. But most of the cost of an addition bathroom can be recovered upon the sale of your house.
Most often the people who create a master suite are couples who see it as a way to enhance their home and in turn their relationship. A fast paced work day life brings out a corresponding desire for a private, secluded place after work. A master suite can become such a safe haven. It can be a bit glamorous, a bit sexy and above all restful. These are the essentials.

A Townhouse Update

2008-10-10T15:12:00.006-04:00

Not surprisingly a 19th century home often has had numerous kitchen and bath incarnations during its life. It’s not unusual to update a kitchen or bath every 20 years or so. The technology and fashions surrounding kitchens and baths change the quickest. Most homeowners remodel their kitchen or bath because the equipment and materials wear out, or the new modern products are so tempting that they choose to upgrade.

Our example home, a four level townhouse built in the 1890’s, was remodeled in the 1970’s in a way that was, then, considered up to date. Although the 1970’s design was not ideal, the concept was good because the lower two floors were set up as an income rental unit, and the upper two floors were dedicated to the owner’s residence. For 15 years this served well. Fast-forward to 2004, and the desire for a more stylish and modern home sent the homeowner hunting for a design/build team to make a transformation.

Like many townhouses remodeled in the 1970s the living space was compartmentalized. The living room was at the front, kitchen was in the middle, and a dining room at the rear. It was not well suited for entertaining. The small kitchen was placed within a walled off cube (about 11’x 8’) not suitable for entertaining, and required carrying food around to the sole dining area; so small it could only seat six.

On the upper floor, the front space, designed as a bedroom, was used as a home office. A rear master bedroom with insufficient closet space, opened onto a rear roof deck. Wedged in between the front and back bedrooms were a compartmentalized bathroom and several closets all inefficiently arranged and unattractive.

The goal for the overall design was to create a functional and stylishly modern living space for a work-from-home woman. The homeowner was open minded about having a design that was a bit ‘edgy’ as a way to express her desire for a more hip urban look. We also discussed her willingness to explore designs that were open and loft-like.

The living space was gutted and opened up. The old partitions came down. Instead of walls defining space, the new kitchen space is zoned by the placement of cherry cabinets and a lowered ceiling. The new kitchen is larger than the old, and is the visual and working hub of the living space. A new island accommodates the sink, dishwasher, ample cabinets and seating for four, and creates a visual working centerpiece. Honed black granite countertops provide a sculptural statement and pendant lighting highlights the stone. The dining room, no longer limited by walls, ebbs and flows to accommodate entertaining and the new island is often used as a central buffet. Oak floors flow uninterrupted from front to back to unify and visually expand the space. Nifty features like a stainless steel backsplash, frosted glass cabinet doors, and a column painted red give pizzazz to the design.

The upper floor bath and bedroom complex make a strong departure from the 1970’s design, toward a loft-like solution. Again, the entire floor was gutted and reconfigured. The design concept treats the new bathroom as a sculptural element placed within the larger space. Or, as some designers would say, “A room within a room.” The design scheme has two walls forming a point where they meet which is located at the top of the stairs. The pointed wall is further embellished by a vertical glass panel that admits natural light into a circular shower stall. The angled walls visually direct people toward the rear sleeping area or toward the front space used as a home office. The new design flows beautifully while having defined functional spaces for work, sleeping and bathing.

The new bathroom was cleverly laid out with a cylindrical shower stall tiled in a mosaic glass to enhance the sculptural form. Symmetrically opposite the shower stall was placed a large granite vanity flanked by cherry storage cabinets. A large wall mirror, framed in glass mosaic, visually enlarges the space and reflects the unique shower. A unifying feature is the large-scale porcelain floor tile chosen to complement the other finishes and minimize maintenance. For visual privacy a full height sliding barn door was custom detailed to screen the office space on those rare occasions when needed. However, from the master bedroom side it was agreed that no door was required to screen the bathroom.

With the many custom features, beautiful materials, and thoughtful planning the new open and loft-like spaces met the goals for the town home. The homeowner was so thrilled with the result that she hosted a party in her newly remodeled home to thank all involved.

Lorrie Browne, Guest Blogger

2008-10-04T11:35:00.000-04:00

Caption: This room by Emily Bishop is featured in the Fall 2008 Washington Design Center Show House.

Today's article is from our first guest blogger, Lorrie Browne, a licensed Interior Designer and founder of MyDesignSecrets.com. Based in South Florida she established Lorrie Browne Interiors, Inc. in 1996 focusing on high-end properties in new construction, major renovations, grand estate homes, and unique studio apartments. In 2008, My Design Secrets was launched as a new outlet Lorrie could help people discover budget friendly design solutions.

Fall is here and now is the perfect time to start thinking about interior and exterior home decorating projects. Whether you are aiming for a landscape that is the epitome of Autumn or looking for some indoor decorating projects as the weather gets nippy, there are plenty of shows and events to get you motivated and inspired. Here are a few ideas I found for the DC Metro area:

The Maryland Home & Garden Show runs from October 17th-19th in Timonium, Maryland. They are featuring guests from HGTV as well as some great seminars on everything from green building to updating your kitchen. Visit the site for complete details and take advantage of the $2 coupon off regular admission price.

Historic Ellicott City, Inc. Presents Homewood Farm - The 24th Annual 2008 Decorator Show House from September 20th through October 19th, 2008. Centrally located in Howard County, just north of Route 108 and the town of Columbia, this classic brick home is an ideal palette for the area’s best designers, who have been inspired to create tableaus rich in ideas for visitors to adapt to their own homes.

The Washington Design Center’s Fall 2008 Design House – Casa Couture runs from September 26–December 13, 2008
The Fall 2008 Design House, residing within The Washington Design Center, provides lifestyle-conscious consumers an entrée into the world of high-end home décor. The theme, Designers in Vogue, features eight sensational rooms, each inspired by interior design trends from across the globe.

Once you are inspired come visit me at My Design Secrets, the premier Do-It-Yourself interior design Web site, with comprehensive home decorating resources and ideas, expert solutions, and a searchable database of over 500 online retailers.

A "Bold Move" in Kitchen Design

2008-10-01T10:54:00.000-04:00

Alice Liao at K+BB magazine posted "Bold Move", an article about one of Wentworth, Inc.'s award winning kitchens. Be sure to check it out as it highlights one of the area's up and coming Interior Designers, Sarah Krautwurst, and the process of over coming limitations to meet a client's vision and needs.

A Book Every Architect Should Reference

2008-09-26T13:38:00.006-04:00

There were only a handful of memorable American architects practicing traditional residential architecture during the 1920’s and 1930’s. William Lawrence Bottomley is most assuredly one of the finest talents to practice his craft in that era. Sharing the stage with fellow architects, Mott B. Schmidt, John Calvin Stevens, William Adams Delano, among others, brings Bottomley’s breadth of talent into focus.

Susan Hume Frazer's book The Architecture of William Lawrence Bottomley is to be commended for her thoughtful and extensive research into the life and work of William Lawrence Bottomley. Often overlooked, and under appreciated, are the traditionalists of American architecture such as Bottomley. His skillful detailing and ability to create beautiful buildings is wonderfully illustrated in Frazer’s sumptuous book.

The author provides an in-depth view of how the architect’s personal and professional life intertwined. Although blessed with a sliver spoon at birth Bottomley did not squander his opportunities. Well educated, attending Columbia University and Ecole des Beaux-Arts, traveling throughout Europe to study architecture, and using his social connections, enabled him to build a successful career as an architect with socially prominent clients.

Within the realm of residential design Bottomley’s work provides a sophisticated range in both scale and style. From the smallest of projects such as the Davis family mausoleum (p. 98), to the large country home called Redesdale (p.138), his design styles varied from Georgian, Colonial, Mediterranean, to Art Deco. All beautifully and thoughtfully executed.

Sadly many of the photos are faded, and don’t clearly show off Bottomley's beautiful architectural details, and it is understandable considering the age of the photos and the material the author had to work with. Frazer wisely included floor plans for those seriously interested in studying Bottomley’s designs will appreciate.

A stand-out project which illustrates Bottomley’s exceptional design skills is represented in the “One-Man House” in New York City designed for Benjamin Wood in 1925 (p. 132). A narrow thirteen foot wide row house was remodeled as a collection of spectacularly grand spaces expanding the space vertically with a two story living room. Frazer describes Bottomley’s clever use of false perspective in the garden design to fool the viewer. “Columns and capitals were gradually reduced in size toward the terminus, a diminutive fountain.” (p.134)

Later in life Bottomley designed several apartment buildings one of which was called River House in New York City. In 1930 he moved his family into their own custom designed apartment at River House. Frazer includes the architect’s home in her book weaving in background information about their daughter’s friendship with the bride-to-be of architect I.M. Pei and their subsequent wedding ceremony at the Bottomley apartment. An architect’s home is often a place to take design risks which is illustrated in Bottomley’s Art-Deco eclectic design. Bottomley indulged himself in some whimsical detail that might not otherwise be done for a client. An example being “the stair rail with stylized horse figures cast in brass and alternating with wavy and straight uprights.” (p. 245).

The current generation of architects can learn much from Bottomley’s skill with traditional detailing and proportions, which is often lacking among the profession.

The Architecture of William Lawrence Bottomley. Susan Hume Frazer. New York: Acanthus Press, 2007. 350 pp. $85.00

"A Wish (or two) Come True"

2008-09-24T08:56:00.003-04:00

In the Early Spring 2008 issue of Washington Home & Garden you can find an informative article on a recent addition and kitchen remodel by Wentworth, "A Wish (or two) Come True." Featured on page 102 of the print magazine, the article was just released online in the archives.

ASID Award

2008-09-23T08:18:00.003-04:00

Wentworth, Inc. is proud to announce a recent kitchen remodel won an Honorable Mention in the Residential Kitchen and Bath category of the Maryland ASID 2008 Interior Design Awards with Chesapeake Home. You can see the project in the October issue of Chesapeake Home.

photo by Ron Blunt

What do a butterfly roof, an island, and a banquette have in common?

2008-09-19T11:04:00.014-04:00

Growing families need more and better space. Such was the case for a couple in Bethesda, Maryland with a young child and a baby on the way. Their 1960s Carderock contemporary was attractive, but lacked the modern conveniences that homeowners expect today. In general, it was felt that the kitchen, dining area, and family room were smaller than they needed to be and lacked quality materials.

The original kitchen was a boring box with a door opening to the dining room and one window overlooking the back yard. There was no visual link to the family room. Worn oak veneer cabinets, plastic laminate counter tops, and torn vinyl flooring completed the 1960s era package. The home’s only table space was a small formal dining room barely able to seat six, which prompted their request for a new informal breakfast room. The tired home needed to be updated.

Kitchen Design
A design challenge was to maximize and integrate space in the kitchen with the family room, which required that an existing masonry wall between the kitchen and family room be removed and new structural steel beams/columns installed to open the space. The new enlarged kitchen layout accommodates an island with bar stools and maximizes the remaining space. A new 42” high built-in cabinet with frosted glass doors was installed that provides storage at the dining room side. Throughout the kitchen flush-front teak cabinets provide a modern lean look with a color contrast provided by the black-honed granite countertops. At the client’s request, a palette of earth-tones colors were selected for the glass tile backsplash. Three pendant light fixtures with orange tinted glass were installed above the island.

New Breakfast Room
A new breakfast room addition was designed with floor to ceiling glass on three sides that maximizes sight lines from lawn to tree top views. The new roof slopes upward toward the trees forming what is called a “butterfly” roof. The butterfly roof fits beautifully with the 1960s contemporary style architecture. The lady-of-the-house had a desire for a banquette, which was satisfied by a custom upholstered “L” shaped bench and table. We specified a special Crypton fabric which is impervious to staining. A simple table clad in Formica is lit by a large hanging fixture with a fabric shade, which forms a cozy space with a sense of closure and ample garden views.

Expanded Family Room
The clients felt that the existing family room was too small and that it was important to enlarge the space. Fortunately, the house had a 4’ wide roof overhang running along the rear wall of the family room. Capturing this additional 4’ of space for the interior made it possible to enlarge the existing family room without altering the roof. A new structural beam provides the roof support the former wall provided, and it allows for the new opening into the breakfast room addition.

Oak Flooring
It was agreed that using oak flooring throughout the remodeled space was important to unify the design. The existing family room had wide plank & peg oak flooring, but the other parts of the house had standard strip oak flooring, and the integration of the two proved tricky. To solve this problem, the design team chose to run a wide walnut border around the existing plank & peg floor that defined it and offered an honest transition to the standard oak floor used in the addition and kitchen. An added benefit of the walnut border was the ghost-like outline of the original wall locations (a respectful nod to the past structure).

Media Center, Dry Bar, and Mud Room.

A focal point of the new family room is the custom bookcase with media center, flat screen TV, and bookshelves. Equipment is housed within the lower portion of the bookcase and, when the TV is not in use, it blends unobtrusively into the surroundings. The new bookcase is centered on the family room wall opposite the kitchen. Flanking the bookcase, and somewhat tucked behind it, are the new dry bar and mud room. Unobtrusively nestled into a leftover corner of the family room is the new dry bar. Dark espresso cabinets provide storage for the owner’s barware collection and a stone countertop harmonizes with the kitchen. Located at the opposite end of the built-in bookcase is a new mudroom that efficiently acts as a hub leading to the rear garden, basement stair, and garage. The new mudroom was fitted-out with bench, cubbies for storage, and hooks for coats. A tile floor accommodates wet feet and the space was maximized for a family with children.

The new design brings together a butterfly roof at the new breakfast room with a custom banquette, and a new kitchen island to create a whole new home environment. The new remodel and addition fit seamlessly into the older home and is successful functionally and aesthetically. Every detail was considered, while every problem was solved and beautifully executed, resulting in happy homeowners and clients.

photos by Ron Blunt

Wentworth Featured in September Hill Rag

2008-09-18T08:30:00.003-04:00

Recently Wentworth, Inc. gained editorial coverage in the local Hill Rag's September issue. Both articles were part of their Home & Garden Special feature.

You will find an informative article by Architect Bruce Wentworth on a recent bath project we completed, "A Guest Bath with Panache." Bruce uncovers the secrets to renovating an outdated attic bath in to a luxurious and timeless guest bath.

Also, Marketing Specialist Candice Carver, authored "DC's Urban Eden" on a great garden/outdoor living space in NW Washington DC.

Charles and Hudson

2008-09-16T08:07:00.002-04:00

We would like to thank Charles and Hudson for mentioning Ask the Architect on their website yesterday who we found in the Picks to Click feature in The Washington Post Home Section.

"Based in NYC and established in 2005 by Timothy Dahl, Charles and Hudson is an independent resource for do-it-yourself enthusiasts who seek the latest tools, techniques, and designs for home renovation and remodeling."

Professional Remodeler:Best of the Best Design Awards 2008

2008-09-15T12:03:00.003-04:00

Wentworth, Inc. is proud to announce we have won a Bronze Best of the Best Design Awards 2008 in the Residential Bathroom under $50,000 category.

Now in its seventh year, the Best of the Best Design Awards competition recognizes outstanding design, craftsmanship and functionality in the projects of remodelers across the United States. The judging panel included remodelers, architects and kitchen and bath designers.

Winning projects will be featured in the December issue of Professional Remodeler.

photo by Ron Blunt

Maximizing space in your townhouse

2008-09-11T13:26:00.006-04:00

When you have a small townhouse and a growing family, it’s important to maximize your space. Homeowners often assume they need to add space to their homes when, in fact, more intelligent use of their existing space can satisfy their needs. That was the case for our client, an attorney with a DC firm, who recently welcomed their second child to their three-story, 13’ wide, townhouse. Like many townhouses, the formal living room is located on the second floor, and they felt it was too remote from their kitchen/dining for a growing family. Eager to replace their outdated kitchen, the clients challenged our design/build team to reconfigure their space to accommodate living, dining, and kitchen on one floor allowing the existing second floor living space to be utilized as a child’s playroom.

The existing conditions were not ideal because the first floor was inefficiently arranged in the 1980’s remodeling. The first floor entry hall was 54” wide and ran parallel to a 12’ long enclosed kitchen. Giving up space to a large entry hall, and preparing meals in a walled-off kitchen was not conducive to their family’s lifestyle.

Just beyond the kitchen, at the center of the house, is a staircase that links the three floors. Unfortunately a 7’ x 8’ space devoted to circulation was wasted in front of the stairwell. In a larger home the space could be called the “stair hall” but in a small house every bit of space needs to be functional. In the 1980’s the home’s staircase had been poorly remodeled with stair risers that were not equal, loose treads, and an inferior railing. Our carpenters completely rebuilt the stair with new oak risers, treads, and a handsome new oak railing. As the centerpiece of the home it was important to make the stair safe and attractive.

Beyond the stair hall, overlooking the garden was a “sunken” dining room, one step-down. The step-down into the dining room made it difficult to place furniture, was not flexible in terms of its use, and was a potential tripping hazard. These were the conditions that faced the design/build team.

To maximize space the entire first floor was gutted and reconfigured to suit the new design and accommodate living, dining and kitchen on one floor. The existing compartmentalized kitchen was replaced with a new open plan that is more efficient and attractive. The new kitchen is arranged with all appliances and pantry on an exterior wall. Because space is limited a stack washer and dryer were accommodated in the kitchen along with the range and refrigerator. A new kitchen island accommodates the sink and dishwasher, and acts as a food prep area. The island’s elongated shape terminates in a custom built-in dining table with a drop leaf that normally seats four but can seat six when expanded. The island, combined with the custom built-in dining table, form a sculptural unit that is both aesthetic and functional. Removing the interior walls provided extra space which also allowed our designers to place a row of 12” deep, floor-to-ceiling, storage cabinets. A chalkboard surface is framed by the wall of cabinets where the family can leave messages or the children can practice their drawing skills. Black honed-granite countertops, maple cabinets, and bamboo flooring set an elegant and spare tone for the first floor. A glass tile backsplash of bottle green, in a brick pattern, provide a dash of sparkle.

The rear portion of the first floor was an under-utilized dining room, one-step down from the kitchen, and difficult to furnish. The design/build team raised the floor to make it contiguous with the existing floor level. The former dining room became the new informal adult/media/family room. To maximize the space custom built-in storage was designed for both sides of the room. One wall is equipped with a flat screen TV and speakers that are set into a wall niche. Electronic equipment is easily accessible and tastefully placed on open shelving in a recessed niche with a cabinet below that conceals additional equipment. The opposite wall has a custom crafted bookcase with closed storage below, and open, adjustable, shelving above. The Wentworth interiors group was able to utilize their design skills by specifying custom furniture for the new family room. Although the space is small, it accommodates two upholstered swivel tub chairs, and two upholstered slipper chairs, each with side tables, that provides a comfortable space to relax.

With thoughtful design, and attention to detail it is possible to maximize your existing space. By carefully planning your home’s space arrangement, utilizing built-in units for storage, and keeping your possessions minimal your home can be attractive and functional. After this recent remodeling the home will suit their growing family for years to come.

photos by Ron Blunt

Curb Appeal

2008-09-05T10:21:00.008-04:00

The homes along the North Quaker Lane area of Alexandria are beautiful and spacious. This was the case for our clients whose property is gorgeous and has a wonderful interior; the one exception being that their home lacked curb appeal. Our design team recommended focusing the effort and dollars to upgrade the entry porch and improve the home’s street presence. The existing covered porch was uninviting, narrow and felt like a back door. Exposed brick walls at the porch looked rough and unrefined, old stone paving was cracked and loose, and a pair of glass patio doors served as the front entry but lacked ‘front-door’ status.

This project was all about the details; the details of the architecture and the details of the arrival experience. Starting your journey at the driveway we constructed low stone square piers to announce the new flagstone sidewalk; each pier capped with thick flagstone for a substantial feeling, and built-in lighting illuminates the step. The sidewalk’s flagstone was laid in a diagonal pattern to create a rhythm as you progress parallel to the front of the house. Arriving at a turning point, the walk widens to a square and the paving pattern changes, designating its time to turn and face the porch. To make the porch feel more inviting the flagstone paving was extended beyond the porch roofline. This extra floor space allows visitors to gather and accommodates porch accessories such as benches or decorative pots.

The new sidewalk delivers the visitor to the center of the porch so that you must walk through the porch to the front door and experience the space. The porch offers a new experience because the brick walls of the porch are covered with wood paneling with panel molding. Three different wall panel designs were proposed, ranging from formal (raised panels) to informal (vertical T&G boarding). Each style was mocked-up life size for the client to examine and the design selected was the flat recessed panel with panel molding which was chosen because it is not too formal and not too informal. The fake shutters were removed from at the porch windows and door to let the paneling do its work. New trim at the door and windows further enhances the details. The old glass patio doors were replaced with an elegant custom door flanked by sidelights that gives the house a new status.

The home’s new curb appeal puts it in sync with the quality of the overall residence and enhances its market value.

photo by Ron Blunt

Washington Spaces Award Winner

2008-09-04T12:55:00.004-04:00

Wentworth, Inc. is proud to announce a recent basement remodel won an Outstanding Award in the Washington Spaces 2008 Design Competition: Best of Architectural Spaces. You can see the article in the Fall 2008 Issue on page 74.

Up Scale Condo

2008-08-29T12:56:00.006-04:00

During the last decade we have seen a substantial increase in the number of condominiums found throughout the city, many of them on Capitol Hill. The condo collection is composed of existing apartment buildings that were converted to condo, new construction projects, and adaptive reuse of older buildings - such as schools, hospitals, and churches. Many condo owners find themselves with aging kitchens and baths, or a poor-quality fit-out that ought to be upgraded, which makes condo remodeling a growing segment of the remodeling market.

This was the case for a homeowner in the Watergate Condominium which was constructed in the 1960’s. We first remodeled their two-level apartment Watergate residence in the 1990’s. Last year, for health reasons, they moved to a more modest one-level apartment within the same building. We were pleased to provide design and construction services for the remodeling of their new kitchen and master bath. Combining architectural, interior, and construction skills for an appreciative client is always a pleasure.

The apartment’s original 1960’s Watergate kitchen was inefficiently arranged, lacked a kitchen table space, was cut off from the living space, and generally did not fit a modern lifestyle. The old kitchen had poor quality cabinets and appliances and did not meet the homeowner’s high standards. It had to go.

We gutted the existing kitchen to reconfigure the layout. The new design includes space for a two-person bullet-shaped table with stools. An existing hall, formerly an under utilized passageway to the kitchen, was redesigned as a butler’s pantry with 12" deep cabinets, and a new wall opening visually links the living room for natural light. Within the new wall opening we installed hand crafted decorative ironwork to embellish the design.

Custom wood cabinets were painted a buttery yellow because it reminded the client of a childhood home. Stippled glass installed in the cabinet doors obscures the cabinet interiors, and provides the illusion of lightness and space. Crown molding and flat panel doors provide an up-scale transitional look without excessive detail.

Granite countertops and backsplash were selected for their beauty, durability and ease of care. The bullet-shaped table was specified in dark cherry to complement the granite and provide visual warmth. Continuing the theme of hand crafted ironwork, a twisted wrought iron leg was designed to support the table top. Black polished granite floor tile provides contrast with the yellow cabinets and is sympathetic with the mottled color of the granite countertop.

Planning for the long-term, the homeowners insisted upon quality appliances. We recommended a 27" wide Sub-Zero refrigerator along with several separate Sub-Zero under-counter freezer drawers to maximize the storage. For a minimalist look we specified a Miele hood with curved glass because it does not obscure the beauty of the stone backsplash. The dishwasher, also by Miele, was chosen for its quiet operation. The Thermador brand was selected for a cooktop and oven as functional and attractive.

The master bedroom space contained ample closets and a generous vestibule leading to the bedroom. The master bath was small and opened directly onto the master bedroom.

To increase the size of the master bath, we reconfigured the bathroom and closets. Moving the bath entrance to the vestibule area freed-up bedroom wall space for a dresser. Rearranging the closets enabled us to make the bath larger without sacrificing closet space.

Two large vanities were placed within the bathroom, one for a sink and one for makeup. Both have generous storage. Good lighting and well-placed mirrors keep the space practical. A large corner shower stall with a bench and frameless glass enclosure become sculptural. Marble tile enhances the floor, walls and countertops.

The newly remodeled apartment home is a well designed sanctuary within an oasis called the Watergate.

photos by Ron Blunt

Maximize Your Basement

2008-08-21T16:48:00.003-04:00

When you own a small home in one of the many historic districts of the DC, such as Capitol Hill, it is necessary to maximize every bit of living space. Many homeowners who do not have sufficient land area to build an addition to their home decide to remodel their basements to gain additional living space. And this is what we recently did for the basement of a client’s townhouse. The house lacked a family room, guest room, and extra bath. Their under utilized basement was the perfect place to remodel to satisfy their needs. As a positive feature, the existing basement was a spacious 24' x 24', had a triple set of large front windows with a functional 7'-0" ceiling height, all fit for remodeling. On the negative, the basement was a convoluted warren of poorly fabricated rooms; an ancient bath occupied the only front windows, and mechanical equipment (furnace and water heater) took up prime floor space in the middle of the basement. A former rear outside stair areaway (3' x 6'), covered over by a previous addition, was wasted space that we wanted to utilize.

Gutting the old basement allowed our new design to maximize every square inch. New mechanical equipment, both compact and energy-efficient, was selected to replace the old. The new equipment was relocated to the rear where it shares space with a laundry room. Full size washer/dryer units were placed side by side to allow a folding counter for laundry with storage shelves above. The former rear stair’s areaway was reconfigured as a shower stall for the new bath; the old concrete steps clad in tile as a bench for the shower stall. The space remaining between the new bath and laundry room was finished off as a cedar closet. Grouping the laundry, utilities, bath, and cedar closet along the rear of the basement enabled us to open up the space and create an 18' x 24' family room which benefits from the natural light of the front window. Along one wall new egg crate style bookcases accommodate storage and a flat screen TV. An upholstered furniture grouping and area rugs makes the new room the perfect media center. At the opposite end of the space a drop-down Murphy bed provides extra sleeping for overnight guests. When the bed is folded up there is space for the owner’s game table.

Because the new space is located in a basement with modest daylight the new lighting was very important. To make the space warm and inviting custom recessed halogen lights were installed in square pockets recessed between the floor joists. A pair of contemporary wall sconces illuminates a central column. Transparency and reflectivity were achieved with frosted glass cabinet doors on the lower portion of the bookcase, frosted glass pocket doors, and a glass railing at the stair. Two frosted glass pocket doors, symmetrically placed, provide access to the rear utilities and bath and help to visually balance the space. Throughout the space light neutral paint colors at the walls with white trim were used. Large-scale (20" x 20") travertine floor tile in a cream color was specified and the bathroom has pale green penny-round tile.

What was formerly a convoluted space, inefficiently used for storage, is now a fully functioning and attractive living space. The comfort of the space, natural light, symmetry and quality materials provide a restful environment at the end of a Washington work day.

photos by Ron Blunt

Entertain from your Home

2008-08-15T15:21:00.009-04:00

It’s a national trend. Americans are remodeling their homes with custom-built, personalized home entertainment spaces. We are nesting. A recent client provides a good example of a full-blown luxury home entertainment trend. The homeowners, a retired business man and his wife, were fortunate to have 2,400 square feet of space on their lower level (basement), along with 9’ ceilings to accommodate their modern home entertainment desires. And, we were fortunate to have clients with excellent taste in a contemporary vein.

Pool Table and Wet Bar
At the very first meeting the man-of-the-house expressed his desire to have a proper space for a billiard table, room enough for guest players, and a classy wet bar. This was a priority for the design. The pool table was given center stage with dramatic lighting, and, along one wall, we placed a ledge where guests can rest their beer, chat, and watch the games. Within the same area, a 15’ long custom bar was designed with a dark espresso wood and a cantilevered glass bar top. The wet bar was fitted-out with sink, ice maker, refrigerator, granite counter top, and abundant storage. A back bar was designed with espresso wall paneling and glass shelves that hold bottles and barware. The back bar features two back-lit eco friendly synthetic panels (3-Form) embedded with bamboo grass. The soft mood lighting provides an evocative bar atmosphere. Stone floor tile is easy to maintain in the bar area, and neutral color carpeting with a subtle circle pattern adds a bit of unobtrusive whimsy to the overall space. Hand-blown glass pendant lighting hangs over the bar and is visually appealing. Guests can observe the billiard game and enjoy a cocktail while perched on a swank bar stool.

Media Center
The adjacent space was furnished with a large leather sectional for small gatherings or quiet naps. A low and unobtrusive stone coffee table makes it easy for small groups to watch the latest sports game or movie. A wall of wood paneling is the aesthetic focus of the space and is fitted with a large recessed flat screen TV. A custom sound system with built-in speakers provides up-to-date technology for entertaining. A closet in the adjacent fitness room accommodates a tall rack of high-tech media equipment. Next to the media center is an alcove with a stone fireplace for cozy evenings of reading. Stone paving sets the fireplace alcove apart as distinct, and floor-to-ceiling drapery contrasts with the hard stone to soften the alcove’s sitting area. A gas log makes it a no-fuss space.

Fitness Room
Behind a private frosted-glass door is the owner’s fitness room which houses exercise equipment and work-out benches. Built-in lockers with cubbies provide storage, a mirrored wall visually expands the space, and a soft floor covering made for health clubs, called “Plynyl”, was installed throughout the fitness room. An outside entrance leads to an expansive swimming pool with patio for maximum entertaining. A new bathroom was created for guests using the fitness room or swimming pool. A large shower stall with a frameless glass enclosure and walls clad in stone make the space luxurious. The bathroom’s unobtrusive location makes it a pleasant surprise to guests.

Home Office
Of course, life is not all play and no work, which required a new home office on the lower level. Two pairs of glass doors visually link the office with the entertainment spaces and allow circulation through the office for those large parties. Two custom workstations, counter tops for office equipment, built-in bookcases, a conference table, lounge seating, storage closet, and ample lighting make this home office a pleasant space for those daily necessary tasks.

Reception Area
No good entertainment space is complete without a reception area to make that first good impression. An oval reception area is the perfect space to meet and greet. The home’s staircase curves gently as it descends toward the lower level and arrives at the new oval reception room. Large-scale stone tile set in a diagonal pattern follows the oval shape and is repeated in the custom oval drywall ceiling design. A decorative hanging light fixture and a wall niche with artwork complete the design of the space.

Although the overall space is large, the design provides distinctive and unique areas focused on different activities and specialized types of entertainment. The homeowners can comfortably entertain large groups of guests or select a single space to converse quietly with one. With sophisticated homeowners, the design evolved as a truly specialized and personalized entertainment space. They may never feel the need to leave home.

photos by Ron Blunt

Green Ideas for Kitchen Remodeling

2008-08-08T08:19:00.016-04:00

Knowing which sustainable, eco-friendly products to use when remodeling a kitchen can be intimidating for homeowners. Is the material really “green,” or is it just marketed as such? Will the product hold up to daily use in my kitchen? Am I paying more for a green product? So when homeowners ask how to incorporate green products in their kitchen remodeling, we try to keep it simple and practical.

As the green building industry matures, it will become easier to make these decisions. Many building industry experts predict that in a decade we will no longer call it “green building” because using sustainable, eco-friendly products will be the norm. It will just be the way we build. Until then, here are a few basic tips on cost-effective green products we at Wentworth Inc. have used in kitchen remodeling projects.

Kitchen Cabinets

Cabinets faced with a wood veneer from plantation-grown trees is one way to minimize the environmental impact of your kitchen remodeling. For a recent kitchen remodel, we specified cabinets with bamboo veneer – a quick growing, abundant grass material (http://www.plybo.com/) and (www.corsicabinetry.com). Thin layers of veneer, wood or grass, stretch the usefulness of the product.

Another plantation-grown wood to consider is Lyptus, which is the trade name for a hybrid of a Eucalyptus tree grown on plantations in Brazil. Lyptus most resembles maple in appearance and can be treated with a multitude of different finishes. Lyptus trees are harvested every 15 years and are an alternative to precious oak, cherry, mahogany and other trees.

Countertop

Recycled paper products are now fabricated as countertop material. Yes, paper. We recently specified a product called “PaperStone” (www.paperstoneproducts.com), which looks great and functions as though a honed granite. The PaperStone company website reports it is certified by the Forest Stewardship Council. PaperStone has two versions of the product: one using 50 percent post-consumer waste recycled paper that comes in five colors, and another using 100 percent post-consumer waste paper in seven colors. Their recycled paper is mixed with a petroleum-free phenolic resin (from cashew nutshell liquid) to manufacture the product in sheets. Large sheet sizes (60-inches-by-144-inches) minimize the need for joints in your counter top, and the product ranges in thickness from three-fourths of an inch to 1 ¼ inch. Time will reveal how well the product performs in a kitchen environment.

Backsplash

Recycled glass is a terrific way to get an attractive, cost-effective, guilt-free backsplash. For a home in Northwest Washington we specified a glass tile made by a company called Sandhill (www.sandhillind.com). The company was awarded a grant from the Alaska Science & Technology Foundation to develop innovative glass-fusing technology that utilizes 100 percent recycled glass normally destined for landfills. Their glass tile fabrication uses half the energy it takes to produce ceramic tile and a quarter of the energy it takes to produce cast-glass tile. Their glass tiles come in a range of sizes, with 36 colors, in a gloss or matte finish. For our client’s kitchen backsplash, we utilized a three color mix, in a 2-inch-by-2-inch tile, set in a diagonal pattern.

Another, more upscale, glass tile company we have utilized is Oceanside Glass Tile (www.glasstile.com). Their website claims to use up to 86 percent recycled glass in their products, and their product line is extensive. A glass tile backsplash offers a lot of visual impact for the cost, and with a professional installation, it is beautiful.

Flooring

Bamboo flooring is an increasingly popular way to have wood floors without cutting down trees. We recently used a product called Preserve Bamboo (www.ToMkt.com) which is available in a variety of pre-finished stains as a tongue and groove boarding. The company’s marketing material says the renewable resource, called Mao Zhu (Hairy) bamboo, is harvested every five years. Beautiful and durable, we have on occasion had reports of surface scratches.

Appliances

Appliances are an expensive part of kitchen remodeling, and the long term effect of their energy efficiency has a financial and environmental impact. To learn more about purchasing an energy efficient dishwasher and refrigerator, visit www.energystar.gov. Cooking appliances – such as ranges, cook tops and microwaves – are not classified by Energy Star because individual homeowner’s cooking styles vary too much to rank.

Dishwasher

An Energy Star qualified dishwasher uses at least 41 percent less energy than the federal minimum standard for energy consumption and significantly less water than other dishwasher models. The Energy Star website reports that if your dishwasher was made before 1994, switching to an Energy Star qualified dishwasher can save you more than $30 a year in utility costs. Bosch, GE, Kitchen Aid and LG manufacture qualifying dishwashers.

Refrigerator

An Energy Star qualified refrigerator uses 20 percent less energy than most models. Many include automatic ice-makers and thru-the-door ice dispensers as well as top, bottom and side-by-side freezers. An Energy Star qualified refrigerator uses 40 percent less energy than a conventional model sold in 2001. Viking, GE, Amana and Sub-zero are a few examples. A visit to www.energystar.gov will help you make practical choices with your appliances.

If each American homeowner makes practical, eco-friendly choices in the products selected to remodel their kitchen, it will go a long way toward making our world a healthier place.

Let’s remodel.