Showing posts with label kitchen renovation. Show all posts
Showing posts with label kitchen renovation. Show all posts
2/18/11
A Wentworth, Inc. Kitchen Remodel in Today's Daily 5 Remodel!
Here at Wentworth, Inc. we were excited to see one of our recent kitchen remodel projects featured in today's Daily5 Remodel! This Chevy Chase, MD kitchen remodel is also a 2010 National Association of the Remodeling Industry Metro DC Chapter CotY winner. Check out the great feature here.
1/31/11
Doing More with Less: A Townhouse Kitchen Remodel
A tiny and dark galley kitchen in an urban townhouse usually equals a variety of daily frustrations: cramped cooking space, difficulty entertaining guests while slicing and dicing, and the cliched, yet extremely common too-many-cooks-in-the-kitchen issue, among many others. Often the only solution is a smart and carefully executed remodel. That's where Wentworth came in.
When a couple downsized from a suburban home to a 1920s historic townhouse, the tiny kitchen had to fit their lifestyle. Working within the confines of a small space has its limitations, but our clients were willing to sacrifice their back porch for additional kitchen space. This sacrifice paid off: a sunny breakfast nook with a view of the garden now sits where the porch used to be. The space is cozy, warm (thanks in large part to the kitchen's energy-efficient radiant heated floors) and sure to be enjoyed year round.
Innovative design features maximize space elsewhere in the kitchen - from cabinets with roll-out shelving to turning unused space under a stair into a pantry. These features and the resulting open-plan kitchen fit the client's informal lifestyle, proving that you never have to sacrifice style for function or space. For more on this project, visit the Hill Rag's January Home & Gardens Feature, Making the Most of Townhouse Kitchen.
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| Space Sacrificed: An Unused Porch Before |
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| Space Gained: Sunny Kitchen Addition After |
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| Let the Sun Shine: The Finished Kitchen |
Innovative design features maximize space elsewhere in the kitchen - from cabinets with roll-out shelving to turning unused space under a stair into a pantry. These features and the resulting open-plan kitchen fit the client's informal lifestyle, proving that you never have to sacrifice style for function or space. For more on this project, visit the Hill Rag's January Home & Gardens Feature, Making the Most of Townhouse Kitchen.
1/28/11
The Stroke of a Feather: How Inspiration Meets Design for Wentworth’s Interior Designer Christopher Patrick, ASID
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| Christopher Patrick, ASID |
Wentworth, Inc.’s interior designer, Christopher Patrick, ASID, knew from an early age he’d be painting clients’ rooms in bright and bold colors with successful results. At the age of 10, when most parents are fretting about dirty handprints on walls and muddy footprints on freshly cleaned rugs, his parents already trusted him to paint his bedroom. It wasn’t long before he’d moved onto bigger, more important rooms.
Fortunately for Wentworth, Inc.'s clients, Christopher is involved in more than just paint choices. Because Wentworth, Inc. is uniquely able to offer architecture, interiors, and construction under one roof, Christopher’s aesthetic as a designer, which he defines as clean and streamlined, informs all aspects of a client’s home remodel.
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| The Stroke of a Feather |
Christopher says his design sense, a mix of the old and new, is often inspired by nature. A recent remodel of a client’s study/home office was transformed with the stroke of a peacock feather. Actually, says Christopher, the peacock feather was more of an inspiration, a way to convince a client who wasn’t afraid of color to paint her new study/home office bright teal and an adjacent bedroom pale olive. “This certainly wasn’t your traditional color pairing, but I convinced her through a series of images showing how pale green and teal make an excellent, albeit nontraditional, color combination.”
Christopher has a knack for working with Wentworth clients to make sure their vision is carried out, while simultaneously guiding them through the many nitty-gritty product and finish choices that come with a remodel. Even though clients often come to Christopher with an idea – pictures, samples, advertisements – of what they’d like their room to look like, Christopher works with them to find their way through a world of endless options.
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| Looking a Little Green |
As an interior designer, it’s Christopher’s job to keep abreast of the trends, from the newest in green innovations to the hottest paint colors. A recent kitchen remodel offered just the opportunity to utilize the latest green building products, and Christopher was more than happy to help the client navigate through the growing pool of eco-friendly building products. When the client decided on an Oceanside Glass backsplash comprised of a combination of pre-consumer, post-industrial, and post-consumer recycled material, Christopher suggested they also consider using Icestone for their island countertop. Made of recycled glass and concrete, Icestone is as beautiful as it is eco-friendly. Although the client was originally concerned with the durability and cost of a green product, Christopher knew it was the right choice. And it was. The client was thrilled with the finished look.
And that, Christopher says, is what it’s all about at Wentworth: “A client will usually tell you what they want, the givens - bed in the bedroom and table in the dining room - but how we style it and bring it all together, it’s a collaboration between us and the client. We take a vision and make it happen.”
10/4/10
Photographing Our Projects: A Recent Experience
By Chris Patrick, Allied Member ASID
As construction begins to wind down, the punch-list is reviewed and the finishing touches are added to a kitchen renovation in Chevy Chase, MD. It’s time for Wentworth, Inc to start planning to transform the space one last time. The homeowner may have moved in, and the construction may have wrapped up, but the work isn’t done. It’s time to photograph and document the completed project for our portfolio and publication.
The Benefit of Photo Shoots
At Wentworth, Inc we take pride in our projects at every step of the way; from the time it’s in the design studio to the last finishing touches by our lead carpenters. Each project challenges our design team to be more creative, and give our carpenters a chance for their skills to shine through. It’s because we are so invested and proud of our projects that we want to photograph each one. We aren’t just concerned about the projects that cost the most money, or used the best appliances, or had the best before and after shots. We want to show off our work; all of it, and give potential clients the ability to understand the amount of craftsmanship and detail that goes into each project.
Our pride and love for the projects we work on takes a backseat to the homeowner’s pride of living in, and helping design, a home that is award worthy. The photographs we take help facilitate our goal of entering our projects into local and national competitions and publications. With the Contractor of the Year: National Association of the Remodeling Industry Awards deadline around the corner, our marketing team has been busy pulling together our most recent projects to showcase. In many cases, we offer those same project photos up to publications such as The Washington Post, Home and Design, and Remodel (a Better Homes and Gardens Special Interest Publication) for consideration in upcoming articles. The sense of pride our homeowner’s feel when their home wins a national award or is featured in the newest issue of Home and Design is another important benefit of our photo shoots.
It is important to note that the benefit of these photo shoots for the client goes beyond pride. Aside from bragging rights with their friends, professional photos and awards make for great marketing material when a client plans to sell their home. We’ve often had real estate agents use the professional photographs we’ve taken, along with any awards or publications, in the promotional material for a sale. Potential buyers not only get a glimpse into the amazing interior (or exterior) shots of the home, but there is added value with a home that has been published or is award winning.
Choosing a Photographer
When we plan our photo shoots it is imperative that we have the right photographer for the job. For the kitchen remodel in Chevy Chase, we went with Ron Blunt. His experience as a professional photographer and the relationship we have developed with him over the years, make him a perfect candidate for this shoot. We trust his eye and aesthetic and value his skill in beautifully capturing our work. We trust our photographers to produce high quality and high impact photos that best represent the space.
Planning
Whenever possible, we try and photograph our projects shortly after they’ve been completed. We find that it’s less disruptive to our clients; they’re still used to having our team coming in and out of their home. Typically, there is less rearranging involved on our part to achieve the right design aesthetic if the client hasn’t fully moved in (in this case the client also welcomed some of our design ideas for furniture placement). The less time our clients have to live in the space before we photograph it, the less the new finishes are affected, and there is a better chance that everything will comes out looking brand new.
Our planning is not limited to picking the right photographer; the “behind the scenes” preparation starts a few weeks prior. After we’ve chosen which photographer we think would be best suited for the photo shoot, we begin to think about set-up, lighting, and staging. A few weeks before the kitchen remodel photo shoot, we stopped by the job site to take “pre-photo shoot photos.” This allows us to get an idea of what shots we want to accomplish with our photo shoots, what areas need to be stylized, and what existing client owned furniture and accessories we can work with. We print these photos out and look at them with the new floor plan to finalize the number of shots we want and the areas we want to highlight. A full day shoot is anywhere between 5-8 photos. After we reviewed the plans, it was agreed that we would need at least 6 shots to capture the space and highlight all the focal points. We wanted two shots of the kitchen, two shots of the family room, one shot of the laundry/mud room and one shot of the foyer.
Success!
Despite having the most accessories and areas to style of any photo shoot in Wentworth history, we pulled the Chevy Chase shoot off without a hitch. The pre-planning helped us stay organized and focused. Once we arrived at the jobsite with a truck load of props (including a working under counter refrigerator), our group of 5 Wentworth team members unloaded the truck and began to prep the site. The first thing we always do once we get to the house, is take quick photos of the areas we are going to alter so we can be sure we return everything to its original place at the end of the day. We began cleaning and staging at 8AM, by 9:30 we had all 6 of our shots ready for the photographer, and the photographer began shooting by 10AM. We worked like a well oiled machine, once one shot was finished, we packed up all the borrowed accessories, put that section of the home back in order, and moved on to the next shot.
In the span of 11 hours, we had managed to get 8 shots, pack up all bought or borrowed accessories, and return the client’s house to its original condition. It was an exhausting day, but we never lost sight of the fact that photo shoots are valuable to everyone involved: from the homeowner, to the contractor and photographer. I’m proud to say that the photo shoot was a complete success and that we plan on winning awards with this amazing project
As construction begins to wind down, the punch-list is reviewed and the finishing touches are added to a kitchen renovation in Chevy Chase, MD. It’s time for Wentworth, Inc to start planning to transform the space one last time. The homeowner may have moved in, and the construction may have wrapped up, but the work isn’t done. It’s time to photograph and document the completed project for our portfolio and publication.
The Benefit of Photo Shoots
At Wentworth, Inc we take pride in our projects at every step of the way; from the time it’s in the design studio to the last finishing touches by our lead carpenters. Each project challenges our design team to be more creative, and give our carpenters a chance for their skills to shine through. It’s because we are so invested and proud of our projects that we want to photograph each one. We aren’t just concerned about the projects that cost the most money, or used the best appliances, or had the best before and after shots. We want to show off our work; all of it, and give potential clients the ability to understand the amount of craftsmanship and detail that goes into each project.
Our pride and love for the projects we work on takes a backseat to the homeowner’s pride of living in, and helping design, a home that is award worthy. The photographs we take help facilitate our goal of entering our projects into local and national competitions and publications. With the Contractor of the Year: National Association of the Remodeling Industry Awards deadline around the corner, our marketing team has been busy pulling together our most recent projects to showcase. In many cases, we offer those same project photos up to publications such as The Washington Post, Home and Design, and Remodel (a Better Homes and Gardens Special Interest Publication) for consideration in upcoming articles. The sense of pride our homeowner’s feel when their home wins a national award or is featured in the newest issue of Home and Design is another important benefit of our photo shoots.
It is important to note that the benefit of these photo shoots for the client goes beyond pride. Aside from bragging rights with their friends, professional photos and awards make for great marketing material when a client plans to sell their home. We’ve often had real estate agents use the professional photographs we’ve taken, along with any awards or publications, in the promotional material for a sale. Potential buyers not only get a glimpse into the amazing interior (or exterior) shots of the home, but there is added value with a home that has been published or is award winning.
Choosing a Photographer
When we plan our photo shoots it is imperative that we have the right photographer for the job. For the kitchen remodel in Chevy Chase, we went with Ron Blunt. His experience as a professional photographer and the relationship we have developed with him over the years, make him a perfect candidate for this shoot. We trust his eye and aesthetic and value his skill in beautifully capturing our work. We trust our photographers to produce high quality and high impact photos that best represent the space.
Planning
Whenever possible, we try and photograph our projects shortly after they’ve been completed. We find that it’s less disruptive to our clients; they’re still used to having our team coming in and out of their home. Typically, there is less rearranging involved on our part to achieve the right design aesthetic if the client hasn’t fully moved in (in this case the client also welcomed some of our design ideas for furniture placement). The less time our clients have to live in the space before we photograph it, the less the new finishes are affected, and there is a better chance that everything will comes out looking brand new.
Our planning is not limited to picking the right photographer; the “behind the scenes” preparation starts a few weeks prior. After we’ve chosen which photographer we think would be best suited for the photo shoot, we begin to think about set-up, lighting, and staging. A few weeks before the kitchen remodel photo shoot, we stopped by the job site to take “pre-photo shoot photos.” This allows us to get an idea of what shots we want to accomplish with our photo shoots, what areas need to be stylized, and what existing client owned furniture and accessories we can work with. We print these photos out and look at them with the new floor plan to finalize the number of shots we want and the areas we want to highlight. A full day shoot is anywhere between 5-8 photos. After we reviewed the plans, it was agreed that we would need at least 6 shots to capture the space and highlight all the focal points. We wanted two shots of the kitchen, two shots of the family room, one shot of the laundry/mud room and one shot of the foyer.
Staging/Stylizing
Once we’ve established a direction to help guide the photo shoot, it becomes clear what areas need the most work. Since we wanted to highlight the custom built-ins in the family room of the Chevy Chase kitchen remodel, we needed to make sure that the area was staged well with books and decorative objects. We had decided that this photo shoot was going to have a less is more approach; we wanted less clutter and more pieces that made a statement. This was true in the kitchen as well; we kept the counters free of clutter and opted for a simple arrangement of avocados, dried pasta, oils, and greenery placed strategically around the kitchen.
Shopping
After we’ve established a design direction and made a list of the objects that we needed it’s time to shop! We work with as many of the homeowner’s existing pieces as possible and we often bring in personal items from our own homes as well to stage the photos, but inevitably, we’ll need to shop for more accessories. And when it comes to shopping, more is more! To style a photo shoot correctly you must make sure that you have the right amount of accessories as well as the right pieces. Subtle things such as color, shape and size can all make a difference when one is styling a photo shoot. We have had a few photo shoots where we ran out of accessories and its shows in the finished product. But with the Chevy Chase kitchen remodel we were sure to have enough; two days worth of shopping produce a truck load worth of material to use. Plus, we had the owners existing pieces and other odds and ends brought in by the Wentworth team.
Success!Despite having the most accessories and areas to style of any photo shoot in Wentworth history, we pulled the Chevy Chase shoot off without a hitch. The pre-planning helped us stay organized and focused. Once we arrived at the jobsite with a truck load of props (including a working under counter refrigerator), our group of 5 Wentworth team members unloaded the truck and began to prep the site. The first thing we always do once we get to the house, is take quick photos of the areas we are going to alter so we can be sure we return everything to its original place at the end of the day. We began cleaning and staging at 8AM, by 9:30 we had all 6 of our shots ready for the photographer, and the photographer began shooting by 10AM. We worked like a well oiled machine, once one shot was finished, we packed up all the borrowed accessories, put that section of the home back in order, and moved on to the next shot.
In the span of 11 hours, we had managed to get 8 shots, pack up all bought or borrowed accessories, and return the client’s house to its original condition. It was an exhausting day, but we never lost sight of the fact that photo shoots are valuable to everyone involved: from the homeowner, to the contractor and photographer. I’m proud to say that the photo shoot was a complete success and that we plan on winning awards with this amazing project
4/8/10
Prioritizing Your Home Remodeling Projects
By Bruce Wentworth, AIAHomeowners are budget conscious when making home remodeling decisions. Wentworth can help you make these often difficult or confusing decisions at an in-home consultation, where priorities, design concepts, and construction issues can be clarified. Budget-minded simply means allocating financial resources in the best possible way. Excellent design solutions, coupled with quality craftsmanship and materials, are still a smart long-term home investment.
A well-located Washington area home remains a solid investment. After three decades in business, I can offer these tips to improve home value.
1. Kitchens: Kitchens more than 25 years old are functionally obsolete and aesthetically outdated. A well-designed kitchen enhances home value and improves family life.
2. Bathrooms: A well-designed master bath is an excellent investment, although cosmetically upgrading older baths will also improve home value.
3. Facades: If your home lacks curb appeal, exterior façade enhancements will add value. A new front door, windows, a front porch, or other architectural embellishments, all sensitive to your home’s architectural style, can be considered.
Thoughtful design analysis of your home makes appropriate, cost-effective remodeling decisions a reality. Call for a consultation today 240-395-0705 x 100.
10/19/09
Master Design Award Winner
2009 (Fort Atkinson, WI)- Wentworth, Inc. has been named a winner in the prestigious 31st Annual Qualified Remodeler (QR) Master Design Awards Contest. Wentworth, Inc. won GOLD in the Kitchen >$100,000 category.
Sponsored by Qualified Remodeler magazine, the Master Design Awards is the premier national contest recognizing outstanding achievement in residential remodeling projects in 22 categories. For information visit www.qualifiedremodeler.com.
About the Winning ProjectA 1880s, end-unit, brick row house was desperately in need of a new kitchen. The old kitchen had been poorly remodeled in the 1970s and required a complete gutting to the brick walls and floor joists. The homeowners desired a new kitchen that took advantage of views into a newly landscaped rear garden, created a breakfast bar for two, an area for laptops with mail cubbies, and opened the wall between the new kitchen and dining room to make their home more suited to informal living. A rear door was relocated and made taller to suit the new cabinet layout and take-in garden views.
Challenges of this Project
The poor conditions required new framing to make the walls plumb & square, and the narrow space (11’-4” x 14’) required a careful design. The south wall has 12” deep, full height cabinets flanking a counter. A north wall accommodates all appliances, sink, and new casement window. Tight cabinet conditions required that the new rear door be repositioned which also helped with garden views.
Creative Solutions
Careful design accommodates a center island. A cherry counter top distinguishes the island from the adjacent stone countertops. Pendant lighting accents the island and leads the eye to the garden. A 12” deep wall of pantry cabinetry flanks a counter top used for laptops, mail cubbies, and cell phones. The symmetrical design is reinforced with a custom coffered-beam ceiling that accentuates the height and gives panache to an informal space.
Project Results
The overall results are exceptionally well suited to the modestly scaled historic row house. The living spaces now flow front to back – with the kitchen acting as the link to the rear garden and completes the home’s living space. Although a small scale house it now feels spacious. The new kitchen utilizes carefully planned, upscale detailing, that gives the home a sense of understated, practical luxury. All is appropriate.
Creative Solutions
Careful design accommodates a center island. A cherry counter top distinguishes the island from the adjacent stone countertops. Pendant lighting accents the island and leads the eye to the garden. A 12” deep wall of pantry cabinetry flanks a counter top used for laptops, mail cubbies, and cell phones. The symmetrical design is reinforced with a custom coffered-beam ceiling that accentuates the height and gives panache to an informal space.
Project Results
The overall results are exceptionally well suited to the modestly scaled historic row house. The living spaces now flow front to back – with the kitchen acting as the link to the rear garden and completes the home’s living space. Although a small scale house it now feels spacious. The new kitchen utilizes carefully planned, upscale detailing, that gives the home a sense of understated, practical luxury. All is appropriate.
11/13/08
Oh the Choices!
Guest blogger Jennifer Parker guides you through kitchen renovation selections; from cabinets to the precise shape of hardware this is an intelligent overview of what you may encounter when working with a designer/remodeler.
I like using analogies to describe the design process; so if we’re talking about making renovation/design selections consider this analogy. It’s like constructing a perfectly balanced mobile, one component at a time. Your architecture, fixtures, furniture, fabrics, flooring, wall color, and accessories—they’re all connected. Think creatively but also think holistically.
Say you’ve decided to move forward with the renovation of your kitchen. You’ve engaged an architect and designer, worked with them to nail down a plan and articulate a style direction. Now it’s time for selections to begin.
For the cabinetry, you fall for a beautiful wood-stained maple in a mid tone with a simple rectangular recessed panel and single-bead detail inside the flat frame.
Gorgeous; now to select the countertop; you decide on a natural material, granite, and that you’d like to pull out some of the browns to reinforce the “nature reference” suggested by the wood grain of the cabinet; how about this one:
Are you seeing the relationships; the connections? The organic movement in the wood grain and in the stone; hues from nature—it’s a marriage made in heaven.
As you move forward the architect and designer are looking to guide the selections to ensure there are connections or relationships between each element that will be a part of your completed space. We’re very conscious about the obvious and subtle network of similarities or foils that each and every selection brings to the design “total”; the mobile in perfect balance.
Now you need to choose a profile style for the edge of the countertop; as a general rule consider the level of formality you’re going for as well as the profile of the cabinet door as your inspiration. Your cabinet door has a flat frame with a single-bead detail inside the frame so the edge profile of the countertop should follow suit—pick something simple, not over-worked, and of course, comfortable to lean up against.
There are a plethora of edge styles but you manage to narrow them down to three; the first is a double eased edge. This is the most contemporary choice and looks good with the flat frame around the recessed panel of the cabinet.
The second is a half bullnose which kind of mimics the curve of the bead detail inside the flat frame of your cabinet door.
The third is an ogee edge which looks a little more traditional
compared to the others.
Take a look at some of the other types of edges available for countertops. Check out this website for great bite-size blurbs about other kinds of countertop materials and edge styles: ; or go to this website to look at countertop materials with different edge styles actually simulated on the site.
Just like the countertop edge style, kitchen hardware should have some kind of aesthetic relationship with the forms around it.
For the hardware finish; an oil-rubbed bronze to pull out the soft gray and black-brown flecks in the stone looks great.
Handle style? You can go linear and geometric to accentuate the clean lines of the cabinet door frame, balancing the organic with modern. The double eased edge for the countertop relates nicely to this.
Or let’s say you want to reinforce the “nature reference” by choosing a textured handle that plays off of the wood grain of the cabinetry. The half bullnose for the countertop edge looks great with this one; the curves repeat. I call this look “earthy modern.”
Or do you want a more transitional look like this? The raised detail about 1/3 in from each end is called a “bead” and this echoes the wood bead detail running along the inside edge of the frame around the cabinet door.
The ogee edge on the countertop complements the graceful profile of this handle but if you look closely you can find relationships to the other countertop edge profiles as well.
All three picks are aesthetically pleasing and appropriate for your cabinets. All are simple in form, clean-lined and ergonomic choices; one a little more modern, one a little more rustic, and one a little more transitional. If you still can’t decide; take a look at your flatware, your tableware. Look for style clues or motifs in other things you love that will go into the same space.
If you find yourself overwhelmed in the selection process and are asking “How do I choose? What’s the basis?” Well, this is it: appropriateness, aesthetic relationships between your selections, harmony and balance in the design.
Fast forward another thousand-or-so selections (by now you’re a pro) and you’re done!
Remember the design process is a continuum of choices. No selection is isolated, and every change made to your design plan may require a re-examination of subsequent design choices.
And think, just like the best gatherings—where guests have enough in common, and yet enough variety to keep the conversations interesting and memorable—your home should have its own ongoing dialogue between each element carefully selected in the design process.
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Jennifer Parker holds a degree in interior design, is an Allied Member of the American Society of Interior Designers, and a member of the National Kitchen and Bath Association. Her background includes an A.A.S. with a major in fine arts and professional experience as a graphic designer with the National Geographic Society. Patera Home was established in the year 2000 and is located in Reston, Virginia.
I like using analogies to describe the design process; so if we’re talking about making renovation/design selections consider this analogy. It’s like constructing a perfectly balanced mobile, one component at a time. Your architecture, fixtures, furniture, fabrics, flooring, wall color, and accessories—they’re all connected. Think creatively but also think holistically.
Say you’ve decided to move forward with the renovation of your kitchen. You’ve engaged an architect and designer, worked with them to nail down a plan and articulate a style direction. Now it’s time for selections to begin.
For the cabinetry, you fall for a beautiful wood-stained maple in a mid tone with a simple rectangular recessed panel and single-bead detail inside the flat frame.Gorgeous; now to select the countertop; you decide on a natural material, granite, and that you’d like to pull out some of the browns to reinforce the “nature reference” suggested by the wood grain of the cabinet; how about this one:
Are you seeing the relationships; the connections? The organic movement in the wood grain and in the stone; hues from nature—it’s a marriage made in heaven.
As you move forward the architect and designer are looking to guide the selections to ensure there are connections or relationships between each element that will be a part of your completed space. We’re very conscious about the obvious and subtle network of similarities or foils that each and every selection brings to the design “total”; the mobile in perfect balance.
Now you need to choose a profile style for the edge of the countertop; as a general rule consider the level of formality you’re going for as well as the profile of the cabinet door as your inspiration. Your cabinet door has a flat frame with a single-bead detail inside the frame so the edge profile of the countertop should follow suit—pick something simple, not over-worked, and of course, comfortable to lean up against.
There are a plethora of edge styles but you manage to narrow them down to three; the first is a double eased edge. This is the most contemporary choice and looks good with the flat frame around the recessed panel of the cabinet.The second is a half bullnose which kind of mimics the curve of the bead detail inside the flat frame of your cabinet door.The third is an ogee edge which looks a little more traditional
compared to the others.Take a look at some of the other types of edges available for countertops. Check out this website for great bite-size blurbs about other kinds of countertop materials and edge styles: ; or go to this website to look at countertop materials with different edge styles actually simulated on the site.
Just like the countertop edge style, kitchen hardware should have some kind of aesthetic relationship with the forms around it.
For the hardware finish; an oil-rubbed bronze to pull out the soft gray and black-brown flecks in the stone looks great.
Handle style? You can go linear and geometric to accentuate the clean lines of the cabinet door frame, balancing the organic with modern. The double eased edge for the countertop relates nicely to this.Or let’s say you want to reinforce the “nature reference” by choosing a textured handle that plays off of the wood grain of the cabinetry. The half bullnose for the countertop edge looks great with this one; the curves repeat. I call this look “earthy modern.”Or do you want a more transitional look like this? The raised detail about 1/3 in from each end is called a “bead” and this echoes the wood bead detail running along the inside edge of the frame around the cabinet door.The ogee edge on the countertop complements the graceful profile of this handle but if you look closely you can find relationships to the other countertop edge profiles as well.
All three picks are aesthetically pleasing and appropriate for your cabinets. All are simple in form, clean-lined and ergonomic choices; one a little more modern, one a little more rustic, and one a little more transitional. If you still can’t decide; take a look at your flatware, your tableware. Look for style clues or motifs in other things you love that will go into the same space.
If you find yourself overwhelmed in the selection process and are asking “How do I choose? What’s the basis?” Well, this is it: appropriateness, aesthetic relationships between your selections, harmony and balance in the design.
Fast forward another thousand-or-so selections (by now you’re a pro) and you’re done!
Remember the design process is a continuum of choices. No selection is isolated, and every change made to your design plan may require a re-examination of subsequent design choices.
And think, just like the best gatherings—where guests have enough in common, and yet enough variety to keep the conversations interesting and memorable—your home should have its own ongoing dialogue between each element carefully selected in the design process.
.png)
Jennifer Parker holds a degree in interior design, is an Allied Member of the American Society of Interior Designers, and a member of the National Kitchen and Bath Association. Her background includes an A.A.S. with a major in fine arts and professional experience as a graphic designer with the National Geographic Society. Patera Home was established in the year 2000 and is located in Reston, Virginia. 
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