The Luxury of Space

By Bruce Wentworth, AIA

It is a rare occasion when a client has too much space. But it does happen. And this was the case for a recent remodeling project involving a Master Bathroom. The happy homeowner’s are a couple with two small children and a spacious townhouse.

Their circa 1980s home needed an updated master bathroom that utilized the existing space properly and took advantage of a spectacular city view from its fourth floor vantage. Although the existing bath’s space was ample, it was inefficiently arranged, cheaply built, and lacked the aesthetic appeal desired by the homeowner.

The space had several challenges. A south facing wall of glass included a large window and sliding-glass door that lead to a narrow balcony. The spectacular view from the fourth floor bathroom was sacred, but lacked privacy and suffered from hot southern sun. Additionally, there was too much space to properly place all of the bathroom functions in one room adjacent to a wall of glass. Sensible design required that the bath be reconfigured and zoned for functionality.

The design team agreed that the new layout would have ‘public’ and ‘private’ spaces to be more practical. The public space, opening onto the master bedroom with double doors, was placed near the window wall with a free-standing sculptural tub so bathers can enjoy the city view. A double-sink vanity, furniture-like with a mirror and over-mantle feature, provides an aesthetic and functional focal point. The large wall visible upon entering the space was enhanced with applied panel moldings and two tone paint colors. The public area’s ample space also accommodates an upholstered bench and a cheval glass mirror. The simple arrangement and ample space feel luxurious. Privacy and sun control are provided for with a wall of sliding louvered panels.

The bath’s smaller, private space was placed behind a new wall. Separated from the public space, by a frosted-glass pocket door, this smaller private area accommodates the toilet and a large walk-in shower stall with a built-in bench. Large scale porcelain wall tile and horizontal bands of glass mosaic wall tile enhance the shower. Linked to this private space is an existing ample sized walk-in closet that allows the homeowner to exit to their bedroom.

Success is measured with a happy client. Aesthetically and functionally the master bath has changed their home for the better. The project is a testament to the importance of a good space plan zoned with public and private spaces. Where else can a homeowner enjoy a view of the Washington Monument while soaking in their tub?

Bruce Wentworth, AIA, an architect and contractor, is the founder of Wentworth, Inc. a residential design-build firm offering architecture, interiors and construction. 240-395-0705 x 100. www.wentworthstudio.com

Wentworth, Inc. earns Six NARI Metro DC Capital COTY Awards

NARI METRO DC Honors Wentworth, Inc. With Six Capital CotY Awards

Wentworth, Inc. (www.wentworthstudio.com), a residential remodeling design/build company located in Chevy Chase, Maryland was honored with six 2008 Contractor of the year (Coty) awards from the Metro DC chapter of the National Association of Remodeling Industry (NARI). Each year, Metro DC NARI members submit their best remodeling work to be considered for the Capital CotY Awards. The Capital CotY represents the best in the remodeling and design-build industry in the metro DC region.

The honors were announced at the 2008 Metro DC NARI chapter’s annual awards banquette, January 24, 2009. Wentworth, Inc.’s awards included two Grand Prizes and four Merit awards:

· Residential Addition under $250,000: Grand Prize

· Residential Kitchen over $150,000: Grand Prize

· Residential Interior $250,000 and under: Merit Award

· Residential Bath $30,000-$60,000: Merit Award

· Residential Kitchen $50,000 to $100,000: Merit Award

· Residential Exterior Specialty Merit Award

Wentworth, Inc., founded by architect Bruce Wentworth, specializes in the design and remodeling of older urban homes. Previously, Wentworth, Inc. has won five Capital COTY awards, for a total of eleven awards in the past three years:

· 2007–Grand Prize—Residential Interiors

· 2007–Honorable Mention—Residential Kitchen

· 2007–Merit Award—Residential Addition

· 2006–Honorable Mention—Residential Kitchen

· 2005–Merit Award—Residential Bath

“These awards are a tribute to the Wentworth, Inc. employees for their expertise and collaboration on every project.” -Bruce Wentworth, AIA

Contact:
Candice Carver
Wentworth, Inc.
P 240.395.0705 x108
F 240.395.0707
ccarver@wentworthstudio.com
www.wentworthstudio.com
(photos available)

Garden Walls Come First

My garden is the place I come at the end of a day to forget the trials of running my remodeling business, a place to momentarily forget the difficulties of the world, a place to get refreshed. Designed environments should do that.

It took eight years to create the garden at my Northwest, Washington, D.C. home shared with my wife. It is a work-in-progress. Happily, our circa 1920 house was placed forward on its lot, 120' x 55', leaving ample space for a rear garden.

With the help of landscape architect, Mark White, we created our garden’s master plan allowing us to implement work in phases as it was affordable. Getting the design ‘right’ meant building the brick fence first; more than 160 linear feet of it!

DC city zoning laws require that fences be built at, or inside, property lines and not more than 6’ in height from grade. We hired a licensed surveyor to mark our property lines to ensure that placement of our brick fence could not be questioned.

We quickly learned the importance of our garden’s master plan because even the brick fence was too expensive to build all at once and required two phases:

1- The first 100' was built at the south and east in 2001,

2- The remaining 60' at the north side more than a year later.

The fence is the important design element of the garden because it provides closure and the architectural framework for the walled garden. Following our master plan, new planting was restricted to the newly fenced areas.

Visitors are quizzical when they learn we went to the effort to build a brick fence around our garden, until they tour the garden. Fence and plantings act as a couple, working together to complete the experience. The fence blocks the view of a wrap-around alley and with the help of a contained bamboo bed screens an adjacent office building. The enclosure creates a micro-climate, gentle on plants and its brick piers form plinths for cast-stone urns, adding height and enclosure.

For aesthetics I wanted a repeating pattern of brick piers, each capped with 2" thick flagstone, linked by brick walls. The piers are spaced 10' apart which creates visual rhythm but primarily serves a structural purpose to support a thin brick fence. A focal point, at the back end of the garden, was created with a round opening, called a ‘clairvoyee’, and embellished with scrolls of ironwork. The length and height of the brick fence required a structural engineer design a proper footing. For strength and economy a continuous 24"d. x 24"w. reinforced concrete footing was designed for an 8" wide fence, and a 24"d. x 36"w. footing was built for each brick pier (twice the thickness normally specified). The large footing, disliked by the mason because of its size, provided a cost savings because it allowed for less brick with a thin 8" wide wall between piers; whereas smaller piers and footings would have required a 12" thick brick wall. The fence has not settled or cracked in eight years, evidence of a job well done.

As a couple we joke that we’re both a bit introverted and if left alone could become hermits. We entertain often in the garden, which helps overcome our natural inclinations. At the end of the work day there is nothing I like more than to arrive home and walk in the garden. In the warm weather I open the French doors leading to our porch and soak up the lush garden aromas of this little urban oasis. It was all worth it.

Tricks and Treats of D.C.'s Architecture cont.d

National Theatre

On Pennsylvania Avenue, three blocks from The White House, is the National Theatre, "The Theatre of Presidents." Almost every great stage performer of the past century has appeared here.
Almost since it’s construction, the National has been haunted by the friendly ghost of actor John McCullough, supposedly shot and killed by a fellow performer. A rusty pistol, perhaps the murder weapon, was unearthed under the stage in 1982, near where McCullough's remains are rumored to lie.

• On the opening night of a new show, the silent ghost can be seen in various parts of the theater, making sure that all is in order.
  
• Some reports tell of McCullough dressed as Hamlet, or his most famous role, the ill-fated Roman centurion, Virginius.
  
• One startled performer, who had known the deceased personally, said he saw McCullough seated calmly in front of the audience.
  
• From time to time, doormen and others report their encounters with the ghost in backstage hallways, on staircases, in dressing rooms, and on the empty Washington stage which he performed on.

St. Elizabeth's Hospital

The campus of St. Elizabeth’s sits on bluffs overlooking of the Potomac and Anacostia Rivers. It opened in 1855 as the Government Hospital for the Insane. During the Civil War it was converted temporarily into a hospital for wounded soldiers. In 1916, its name was officially changed to St. Elizabeth’s, the colonial-era name for the tract of land on which the hospital was built. Built in the Gothic style by Thomas U. Walter, who also designed the Capitol dome, the building itself has long drafty halls within its fortress like appearance. The campus and stories behind it manifest into it being known as a truly haunted asylum.

• Assassins and would-be assassins were confined at St. Elizabeth's. The man who tried to shoot President Andrew Jackson, the man who did shoot President Theodore Roosevelt and, the man who wounded President Ronald Reagan all ended up there.
  
• During renovations records, photos, and medical equipment have been discovered revealing experimentation, torture, and autopsies taking place in spaces that were condemned.
  
• There were always stories of staffers hearing noises from parts of the building which had long been since abandoned. Moans and groans, along with footsteps and numerous cold spots forced some to avoid that building at all cost.

Tricks and Treats of D.C.'s Architecture cont.d

The Octagon House Museum

The Octagon House was designed for John Tayloe III by architect William Thornton, the first architect of the United States Capitol. Built between 1799 and 1801, this was the first house to be completed "in the neighborhood" of the White House.

• One of Tayloe's fifteen children either fell to her death through the center of the grand staircase. Stories include a strange candle-shaped shadow on the staircase and the faint sound of a falling scream.
  
• A second daughter, while pregnant, died in the house by throwing herself from the top banister upon finding out her father had done away with her soldier lover, whom he disapproved of. Her ghost is said to roam the halls.
  
• Occasionally visitors have claimed to seen John himself walking the halls of the home along with slaves performing their daily routines.
  
• A somewhat more pleasant ghost, reported to have been seen dancing and enjoying the lilacs, is assumed to be Dolley Madison who adored her stay in the house.

The Octagon House Museum Web Site



Healy Hall-Georgetown University

Officially, the fifth floor of Healy Hall does not, and never did, exist. The high Victorian design of the building, which was constructed in the late 1870's during the presidency of Patrick Healy, lends itself to speculation about secret sealed-off floors and ghostly inhabitants.

• One story of how this floor came to be haunted dates back to when Georgetown was a liberal arts college. A young Jesuit student accidentally opened the Gates of the Underworld when reading forbidden chants in a book about exorcism within a secret room in Healey Hall that is now sealed off.
  
• A second tale involves another Jesuit, who was crushed to death by the hands of the clock while working in the clock tower and now wanders the floor moaning in pain.
  
• Other Georgetown ghost stories tell of trapped spirits in the University's underground tunnel system.

Maximizing space in your townhouse

When you have a small townhouse and a growing family, it’s important to maximize your space. Homeowners often assume they need to add space to their homes when, in fact, more intelligent use of their existing space can satisfy their needs. That was the case for our client, an attorney with a DC firm, who recently welcomed their second child to their three-story, 13’ wide, townhouse. Like many townhouses, the formal living room is located on the second floor, and they felt it was too remote from their kitchen/dining for a growing family. Eager to replace their outdated kitchen, the clients challenged our design/build team to reconfigure their space to accommodate living, dining, and kitchen on one floor allowing the existing second floor living space to be utilized as a child’s playroom.

The existing conditions were not ideal because the first floor was inefficiently arranged in the 1980’s remodeling. The first floor entry hall was 54” wide and ran parallel to a 12’ long enclosed kitchen. Giving up space to a large entry hall, and preparing meals in a walled-off kitchen was not conducive to their family’s lifestyle.

Just beyond the kitchen, at the center of the house, is a staircase that links the three floors. Unfortunately a 7’ x 8’ space devoted to circulation was wasted in front of the stairwell. In a larger home the space could be called the “stair hall” but in a small house every bit of space needs to be functional. In the 1980’s the home’s staircase had been poorly remodeled with stair risers that were not equal, loose treads, and an inferior railing. Our carpenters completely rebuilt the stair with new oak risers, treads, and a handsome new oak railing. As the centerpiece of the home it was important to make the stair safe and attractive.

Beyond the stair hall, overlooking the garden was a “sunken” dining room, one step-down. The step-down into the dining room made it difficult to place furniture, was not flexible in terms of its use, and was a potential tripping hazard. These were the conditions that faced the design/build team.

To maximize space the entire first floor was gutted and reconfigured to suit the new design and accommodate living, dining and kitchen on one floor. The existing compartmentalized kitchen was replaced with a new open plan that is more efficient and attractive. The new kitchen is arranged with all appliances and pantry on an exterior wall. Because space is limited a stack washer and dryer were accommodated in the kitchen along with the range and refrigerator. A new kitchen island accommodates the sink and dishwasher, and acts as a food prep area. The island’s elongated shape terminates in a custom built-in dining table with a drop leaf that normally seats four but can seat six when expanded. The island, combined with the custom built-in dining table, form a sculptural unit that is both aesthetic and functional. Removing the interior walls provided extra space which also allowed our designers to place a row of 12” deep, floor-to-ceiling, storage cabinets. A chalkboard surface is framed by the wall of cabinets where the family can leave messages or the children can practice their drawing skills. Black honed-granite countertops, maple cabinets, and bamboo flooring set an elegant and spare tone for the first floor. A glass tile backsplash of bottle green, in a brick pattern, provide a dash of sparkle.

The rear portion of the first floor was an under-utilized dining room, one-step down from the kitchen, and difficult to furnish. The design/build team raised the floor to make it contiguous with the existing floor level. The former dining room became the new informal adult/media/family room. To maximize the space custom built-in storage was designed for both sides of the room. One wall is equipped with a flat screen TV and speakers that are set into a wall niche. Electronic equipment is easily accessible and tastefully placed on open shelving in a recessed niche with a cabinet below that conceals additional equipment. The opposite wall has a custom crafted bookcase with closed storage below, and open, adjustable, shelving above. The Wentworth interiors group was able to utilize their design skills by specifying custom furniture for the new family room. Although the space is small, it accommodates two upholstered swivel tub chairs, and two upholstered slipper chairs, each with side tables, that provides a comfortable space to relax.

With thoughtful design, and attention to detail it is possible to maximize your existing space. By carefully planning your home’s space arrangement, utilizing built-in units for storage, and keeping your possessions minimal your home can be attractive and functional. After this recent remodeling the home will suit their growing family for years to come.

photos by Ron Blunt

Curb Appeal

The homes along the North Quaker Lane area of Alexandria are beautiful and spacious. This was the case for our clients whose property is gorgeous and has a wonderful interior; the one exception being that their home lacked curb appeal. Our design team recommended focusing the effort and dollars to upgrade the entry porch and improve the home’s street presence. The existing covered porch was uninviting, narrow and felt like a back door. Exposed brick walls at the porch looked rough and unrefined, old stone paving was cracked and loose, and a pair of glass patio doors served as the front entry but lacked ‘front-door’ status.

This project was all about the details; the details of the architecture and the details of the arrival experience. Starting your journey at the driveway we constructed low stone square piers to announce the new flagstone sidewalk; each pier capped with thick flagstone for a substantial feeling, and built-in lighting illuminates the step. The sidewalk’s flagstone was laid in a diagonal pattern to create a rhythm as you progress parallel to the front of the house. Arriving at a turning point, the walk widens to a square and the paving pattern changes, designating its time to turn and face the porch. To make the porch feel more inviting the flagstone paving was extended beyond the porch roofline. This extra floor space allows visitors to gather and accommodates porch accessories such as benches or decorative pots.

The new sidewalk delivers the visitor to the center of the porch so that you must walk through the porch to the front door and experience the space. The porch offers a new experience because the brick walls of the porch are covered with wood paneling with panel molding. Three different wall panel designs were proposed, ranging from formal (raised panels) to informal (vertical T&G boarding). Each style was mocked-up life size for the client to examine and the design selected was the flat recessed panel with panel molding which was chosen because it is not too formal and not too informal. The fake shutters were removed from at the porch windows and door to let the paneling do its work. New trim at the door and windows further enhances the details. The old glass patio doors were replaced with an elegant custom door flanked by sidelights that gives the house a new status.

The home’s new curb appeal puts it in sync with the quality of the overall residence and enhances its market value.

photo by Ron Blunt

Maximize Your Basement

When you own a small home in one of the many historic districts of the DC, such as Capitol Hill, it is necessary to maximize every bit of living space. Many homeowners who do not have sufficient land area to build an addition to their home decide to remodel their basements to gain additional living space. And this is what we recently did for the basement of a client’s townhouse. The house lacked a family room, guest room, and extra bath. Their under utilized basement was the perfect place to remodel to satisfy their needs. As a positive feature, the existing basement was a spacious 24' x 24', had a triple set of large front windows with a functional 7'-0" ceiling height, all fit for remodeling. On the negative, the basement was a convoluted warren of poorly fabricated rooms; an ancient bath occupied the only front windows, and mechanical equipment (furnace and water heater) took up prime floor space in the middle of the basement. A former rear outside stair areaway (3' x 6'), covered over by a previous addition, was wasted space that we wanted to utilize.

Gutting the old basement allowed our new design to maximize every square inch. New mechanical equipment, both compact and energy-efficient, was selected to replace the old. The new equipment was relocated to the rear where it shares space with a laundry room. Full size washer/dryer units were placed side by side to allow a folding counter for laundry with storage shelves above. The former rear stair’s areaway was reconfigured as a shower stall for the new bath; the old concrete steps clad in tile as a bench for the shower stall. The space remaining between the new bath and laundry room was finished off as a cedar closet. Grouping the laundry, utilities, bath, and cedar closet along the rear of the basement enabled us to open up the space and create an 18' x 24' family room which benefits from the natural light of the front window. Along one wall new egg crate style bookcases accommodate storage and a flat screen TV. An upholstered furniture grouping and area rugs makes the new room the perfect media center. At the opposite end of the space a drop-down Murphy bed provides extra sleeping for overnight guests. When the bed is folded up there is space for the owner’s game table.

Because the new space is located in a basement with modest daylight the new lighting was very important. To make the space warm and inviting custom recessed halogen lights were installed in square pockets recessed between the floor joists. A pair of contemporary wall sconces illuminates a central column. Transparency and reflectivity were achieved with frosted glass cabinet doors on the lower portion of the bookcase, frosted glass pocket doors, and a glass railing at the stair. Two frosted glass pocket doors, symmetrically placed, provide access to the rear utilities and bath and help to visually balance the space. Throughout the space light neutral paint colors at the walls with white trim were used. Large-scale (20" x 20") travertine floor tile in a cream color was specified and the bathroom has pale green penny-round tile.

What was formerly a convoluted space, inefficiently used for storage, is now a fully functioning and attractive living space. The comfort of the space, natural light, symmetry and quality materials provide a restful environment at the end of a Washington work day.

photos by Ron Blunt